Roger Williams
National Trysting
Him/Hér
or what's to theirs
hinting the lot
hits it
titters
hand-woven
By Fall
few can caring
(eschewing Adam)
crown the caucus
the cork-like we
leaves then some
doting its rap
and its stalwart
and
as it ran
reamed collaboration
tutti again comes diem
Refer to this
as per-course
including drifting ripples
triples Swiss filling wholes of it
and more
Mer Mine
finest lest
finis has it
that for us
we spread into
the matter not as is
but fatter—
more co-app
Roger Williams lives with his wife, an artist and illustrator, about an hour north of San Francisco where he taught (mostly French) at San Francisco State University until his retirement in 1987. A long time before, he studied poetry with Ted Roethke and Louise Bogan and, for some forty years, set poems to music—Wilde, Patchen, Creeley, Merwin and many others. Now he writes these poems, but does not set them to music. Some are in: Counter Example Poetics; 6x6, #25, and a broadside; & Experiential-Experimental.
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National Trysting
Him/Hér
or what's to theirs
hinting the lot
hits it
titters
hand-woven
By Fall
few can caring
(eschewing Adam)
crown the caucus
the cork-like we
leaves then some
doting its rap
and its stalwart
and
as it ran
reamed collaboration
tutti again comes diem
Refer to this
as per-course
including drifting ripples
triples Swiss filling wholes of it
and more
Mer Mine
finest lest
finis has it
that for us
we spread into
the matter not as is
but fatter—
more co-app
Roger Williams lives with his wife, an artist and illustrator, about an hour north of San Francisco where he taught (mostly French) at San Francisco State University until his retirement in 1987. A long time before, he studied poetry with Ted Roethke and Louise Bogan and, for some forty years, set poems to music—Wilde, Patchen, Creeley, Merwin and many others. Now he writes these poems, but does not set them to music. Some are in: Counter Example Poetics; 6x6, #25, and a broadside; & Experiential-Experimental.
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