Elizabeth Terrazas
Cognoscente
you impersonate a tool
curious   it’s a little bit firedendrom
everything is burning
are you an opiate   am I a motif
          a meticulous craving
inside staying out the promise
made belaying Hueco Tanks last year
the composition of gravel and veins
          altitude of promises
topographical maps where it hit
          Cognoscente in absentia
beware the one thing
the ask of the now you see
          a cultural amnesia
a whodunit absolution
the poem sings Jupiter
          melodic strings wave
who we were when it left
                                                            theory
math suddenly learns my rhythm
and I learned hers   inside Cook canyons
deep tunnels further          we could swim
further did we furrow
the weight bearing beams
Horse Races, the Plastic Cups
   (the infinite and the finite)
Elizabeth Terrazas is a Latina writer who writes in both Spanish and English. She comes from El Paso, Texas, the place where New Mexico and Texas and Mexico meet. "Lots of desert influence, desert driving, hiking and climbing rocks."
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Cognoscente
you impersonate a tool
curious   it’s a little bit firedendrom
everything is burning
are you an opiate   am I a motif
          a meticulous craving
inside staying out the promise
made belaying Hueco Tanks last year
the composition of gravel and veins
          altitude of promises
topographical maps where it hit
          Cognoscente in absentia
beware the one thing
the ask of the now you see
          a cultural amnesia
a whodunit absolution
the poem sings Jupiter
          melodic strings wave
who we were when it left
                                                            theory
math suddenly learns my rhythm
and I learned hers   inside Cook canyons
deep tunnels further          we could swim
further did we furrow
the weight bearing beams
Horse Races, the Plastic Cups
   (the infinite and the finite)
burning it with ash and hay
far more than 500
miles is years
that is likely from speed data
a single big spill of technology
failed, ignored
“normally we have a finite operation and redundant steel events and strategy…”
the bling >>>>>>>>>>>>
patina
“we’ll pay for everything”
“ “<<<<<<<<<<<
Headless—
And I s-s-s-say, “Horseman.”
2.
I’m going to Glue
Something
to myself
brilliant cellophane
stars—no begging
empty. how a tree
falls in tears
let’s imagine we have
swings and branches
let’s imagine we live
not unlike a tree
older than our timber
or sails
I am a piano
the hummingbird
of who I was—
ever notice the community
in my building?
not unlike the museum
on this page—great caves
and tunnels
meant to hide our death
3.
Who’s got a tendency
Trait or streak streaks
of yellow and purple gerberas?
No.
a clown fish
the bouquet I painted
my hand blue—but not
Las Vegas. More like
Las Noches
los dias la lumbre
—maybe a tourist season
summer fall falls upon us
a turnkey
4.
Horse races the plastic cups
generally I favor Tri Fectas
Win, Place or Show is settling for,
I think—I take it back. Behavior
Modification (and I do), err
on this side of caution. Win.
They bet Dutch on hedge
funds. They did. Housing funds,
derivatives, petroleum dinosaur
safety
should I get Biblical?
the eye of the beholder
the eye of Horus
they aye’s have it.
all the money in the world… Elizabeth Terrazas is a Latina writer who writes in both Spanish and English. She comes from El Paso, Texas, the place where New Mexico and Texas and Mexico meet. "Lots of desert influence, desert driving, hiking and climbing rocks."
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