a.j. carruthers
Ten from Versificator
a.j. carruthers is an experimental poet + critic, author of a critical volume Stave Sightings: Notational Experiments in North American Long Poems, 1961-2011 (New York: Palgrave Macmillan, 2017); and the first part of a lifelong long poem, AXIS Book 1: Areal (Tokyo: Vagabond, 2014). See two online works: Opus 16 on Tehching Hsieh (Oakland: GaussPDF, 2016); & Ode to On Kawara (Buffalo: Hysterically Real, 2016).
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Ten from Versificator
____________________________________________________                               1. Eīght dāys zōne Beachāmp condītions tērminates nĕw vĭew dăy wĕr mis-tăks mist-ăus scācm tāro tācklish drādnats zāno Jōsé swĕll swăy swĕll rēawaken Īnterlaken mōtorcycling Kēy excēptional vōwles gŏod smăll pĕn (bŭt)hunted lĭttle squĭrrel Putonghūa expēnsive pūff-of-back-apical cŏnsonant                                                             [conspĭcuous confŭsion pĕrson knĭfe pŏwer can ta bant dŏt horĭzontal vĕrtical Jăm stĭcky vĭsion dăgger-axe pĭctophonetic labŏr;-work thĭs-is-not ărt ĭs băptism persĭmmon pĕrson sŭn | moŏn | trĕe intērpretation dēcision Labōratory Tār hēal jīve fŏrty formĭdable rădicals Brĕak, brĕak, brĕak, nĕutrino immĕdiately pŏlysyllabic rīght hānd; agāin rātional unambīguous assōciative wild-goose-chase, Grēat Blūer Chīef au di ri mēan hoūse, dwēlls                               Sydney, Oct 22-23, 2016. ____________________________________________________                               2. Imprēssionistic cōnversation Cāmerata shrēwd dōnkey scāb dĭctionaries lĭbraries sensătions ānecdote tālk eāsier fōot crāgs grāce dāre-gale skylārk scānted moūnting bōne-house pērcept vir tu tem Cŏffee wăter tĕatree its-ēnvy-everything thēy trianglē bīg quīte Ōctapod accŏrdingly frittăta frŭit ĭn cŭt hălf majōrity stāndardisation mīcrophone fŭll basĭcally mĕal wĭring heăring stărting Explānatory mūtually shēlls-cowrie īnch gōng shōrt-tailed enclose phenylālanine fūrniture ēat orgānic rāin dis-and-ūn Bōris fōrest brĭght rĕst herbicĭdes anĕmometer stylĭsed ĕar yēah, yēah, yēah Spĕech cŭrrency slănted-hook-order! grāmmar sēnse idlē easĭly hardĭly furĭously baptĭsm Kekovĭch dĭversity lĕgible gŏld dĭfference to-trĕat or-tŏ tŏ-be-surnamed Amatīl zhū ūm yŏu’re-chirp nĕw wrĕn                               Sydney, Oct 24-25, 2016. ____________________________________________________                               3. Fōre-foundering turnōut sūppressor unsĕttler glăsser                                                                                           [dispĕnser ōne attūneable sībyl fācilitates ideo-līnguistic emērgency; ĀLL CĀSH WĀNTED hŏnorable kĭngly plŭm throughthēr tutēlar curlēr tool-smŏoth, rĕck bŭt Paymēnt wēather-wrung hēroine swīftly strīctly hīlly comprehēnd rūckus scrēamer grăssy chăin dreăm nutătion fascinătion ratiocinătion Pasanēk Wyētt Ardīla qŭixotic wĕather embărrassment skeĭned, staĭned, veĭned Pēnitent kinēsics pharmacotēxt ĭnks năme Făssbinder gĕnder rĕad-easy after-blastĕr pit-ā-pat seculār Steindāy clōud ōblation precipitatiōn thesăurus stĭnks occasĭonally usĭng lŏne wŏrds speak-nŏw, spĕak, nĕver Flāt-luck dāggier-than, stāle Aūs trā lineā ēnlightenment tāsk pāge sprăy ănd wĭpe ĕvery antĭbacterial lĭfe mēanings, mēanings, mēanings thē alabastēr sērmon thănkless ĭn Fremăntle                               Sydney, Oct 26-27, 2016. ____________________________________________________                               4. Sōnata Marcō Fusinatō phōtoing, Octōbering, enōbling tĕmpeh WĕiZen ĕgg-po qŭote-un-quote “Ŏ” păinting post-pătent use-vălue                                                                                           [unăttended spĭritual ăffect-attack outfĭt būrp Wārwick oūtfit dīfferent-straw Hīpno Dugtrīo Ī, gallerīna, parallel-pārk āwkward constrūction indicātion ăverage hĭccup expectătion tĕlephone thĕ-phone tĕlephone pīnk crystallīne, emērgency Lēppington cōmbo bassīnet hĕnce pĕnce, nŏnce bassĭnet trundle-hŏ, ratiŏ? Vanādium banāusic Wēiner thrĕe, twŏ, sixty-twŏ-point-five incĭsor shŏulder quĭre mĭnor bŏard lacrosse-one-four-churrŏs whŏ gŏes thĕre qūick-parts ūr Jōsephslegende adjūstments lēft-hand fōotsteps Tōd ūnd Verklärūng Ridīculously mērry whipped-crēam Schlă gŏ bĕrs hĕadier ănd fŏrester dĭscography Horowĭtz Opŭs quă prănk-century siĕcle-cycle fĭctive virtuosi-diălectics minum-crŏtchet ādvertise hēre ee-gai-chār-tze frustrāted cār accelerātion                               Sydney, Oct 28-29, 2016. ____________________________________________________                               5. Lōng-echoing Vernōn būndle sēsh swīt snip-sōse ŭnlimited CZĔ 93G BŬRRIERY twēlve fifty-ēight lightheārt lōnely millēnnia Basēnji convenĭent hărpsichord mărginalisation prōse ōneliest mōle-theoretic cajŭn īsthmus Albāny Kaldibāah līghtset īntersection vāndal Drāygon Kīngston wăch skĭiint no-ăctivity mēchanical black-rhēnd x-mīngo cafē cāpuccīnes phonăk reăr-yug slumberhăze mēchanical dōor lāir plāte cāption contrāption Sunday, gāme, māndate mēchanical thrōugh aīr Ărleg doer-ha-mă lu-bo-ăh definītion denotātion dērivation tēacher Lī, versificātor Yŭ Jiăn cĭty-V-city-W Apārt frōm sīghs Beiduōfen jiniān Enlīghtenment Editōr-īn-chīef (percēived) ēxilic-literary Tōday frŭitless trăffic mĭsery lēaning tōwards deāth Pōetry Īs Advāncing tŏneless ĭn semăntle Begēisterung Not-Nōt stānzas-4-6 (clōuds, rīvers, bāts)                               Sydney, Oct 30-31, 2016. ____________________________________________________                               6. Destiny wood stress un stress off false ictic, dread Ajax, the ex scanted thus below see hind noun PIE whole Oz cat’log scant supply, scarce de-ci-du-ous wily writings short-wind, dry-soak issue shoe-tale foot burst to breve Nŏtăte, măcrŏn slāsh slāsh dāsh slāsh stanza fury eāch dītch, collāpse glŏboid căsh fĭx Rŏnnie Ŏpie TOny ThYssen? bŏoks on fĭrst chăir sīx-hūndred sēventy frōg mēme-pūppets ālt-rīght mōonshōt Ānn Ānn Ānn Ānn Sterbĕsturm āus Yōg’tzē Wīlnsdōrf Ak ten zei chen Nŏw Ī’ve gŏt īt! ānd it is nīght thē dăy being dŏne hōw cān wē slēep? bāh! dōn’t hōp! stōp! intŏ dĕlight sāil fāst, sāil fāst vērācītīes! I strĭve, I prăy sāy yĕa―sāy yĕa ! thy wŏrk, thy fāte Or bĕast ĭn stăll : thēn swĕpt awăy the dărk ănd brīght ŭnmourned, ŭnblest hārsh hālf-phrāsings but Trăde saith Nō : O Trăde! O Trăde! fōr ! ĕ’en I, wōuld thōu wērt dēad! dĭes tō ā stĭll dĭssolving scorĕ nō mŭsīc, pōem: pōem blōtted, ēre wrīt                               Sydney, Nov 1-2, 2016. Draft for dispondees. ____________________________________________________                               7. Mĭltŏnic mētronŏme dāunt, flāunt, vāunt, cōurt-scrăunched twō-thīrds ă būrnt trūck twō thīrds gōd dāmn būrnt a pentochmius găsp ăt thē cēilīng gīddiest, wīth lōnging ĕxtramĕtricālity thănk yōu, byĕ-byē cān yōu căll mē bōtched qūintains, roūte pĕntŏchmĭŭs, pēntōnīc phŏne Fūrnace, wīnd, shārp tūrn, lēast shārp stār tūrn ēagle, lārk strĕngthed, tĭlde, ānd dūst stăy : fĕed thĕ wŏrms āll wōrds blūnt wīth flīnt whāt thēn rēd wrēn? HAnne’s shEEt muSIC tIMe in tERMS of tOne Mĕgăcĭtĭes Minnesänger sfumato templexity tessitura scintillae Vātic sŏundscape thăt mŏre sŏnorous thăn spĕech hĕlls stŏrm brĭght fĭre, ūp āverage militarisătion EAgle-Eye sLAms brIGHt pARk Epōs hāg nāgs gnōstic ghōst Hērberts & Hērbertinas & Hēideggers wRY and wITty why the rōund whēēl, rePElls, detERs, reFERs quĕer assăssin Precĭsionists gēt bōught rĕal ba,― făke ba, earsighted tŏne-tĕsted ŏptophonetic drăughts, ōf wĭnde thrū lĕaves-āt-ā-Sphăragrām a sĕcond spōntaneity thĕ drāft as pōrtal pŏem a strōphic strōp, răzor-shārp lĭsted tō whăt? vērsified ārgument mūch sýnchrony?                               Sydney, Nov 3-4, 2016. Draft for pentochmiuses. ____________________________________________________                               8. Inhērent dēntal vīleplūme frūitless trāffic mīsery hīll pāths shōck smāll gōats thīngs sēem fīne ūp thēre whāt bīg mōat sīngs wēll? toŏ cŭte wās Măy Brŏwn’s dŏg făntastic informătion cĕntre fāntastic prētzels tērrible strēpsils strĕusels stereŏpsis rēgular glīb brāiding Informātion cēntre dissēnter pētrified săint-ŏf-fŏur-twŏs rōdent pharmacĕuticals mādrigal-sāint-fāction Hēnryk Górĕckĭ mīsery mīsērāble Abĭgaĭl sōrrōw mĭsererĕ săint-sĕventy-ĕight Stūff Smīth Jīmmy Smīth jūst līke smĭthy Frēud ōf wănt-tŏ-bĕ whōse mărk, bēars Īntegral lŭdic grimāces, flexibilīty, disarticulatīon, dismem- bermēnt, ānd scăttering tō thē fŏur wīnds lŏngdown, thĕ well, afrāid-ly, rēst-ānd-slēw bē’s făre-awăre, arrĕars, āll merō, the nĕon ūnit, its ūnit’s skŏpe, anĕnt to nwāt? to Dĭnos Chăpman’s B O O-kēi smīthy Infinitĕsimal ānd dĭsmal sāy frīnge Elēctromāster hăd-ă- bĭg-O, evĕry rējection, evēry dăy-pullūlate-wagōn, avōids pentagonāl āgony, flĭght alĭght anĕnt, foremĕant, swāy, shūck-lĕafes, ĕrrant in smīthy Līthuānia, ŌK? Whāt dĕal? gō awāy, sĕmblānce, ĀND ā sŏurce ōf errŏr                               Sydney, Nov 5-6, 2016. ____________________________________________________                               9. Lārge gōld lēaves, blūe-grēen mārgīns, tāble, bēnch, plāntĕr, mĕaled-wīth-pāle-lăvender rōse ārch wĭth dŏor wăter-wĭse, trŭly, lārge pīnk, pāint-brūsh-līke, dĕadhĕad fōr dīănthūs, dĭe-dŏwn, dŏrmānt-Octōber-Sŭmmēr! ārching, crĕam-pīnk fŏxtāil-līke nōn-invăsĭve dwārf clŭmpīng Clŭmp-fŏrmīng, străp-līke, whīte strīpīng, păle pŭrplĕ, pĕrchēd cŏlours, bōrders, bēds-bŏrders, cōntăiners tāll stēms, shŏwy-shăped, tāll scāpes ōf, smăll tŏ, sōftēst blŭe snăkes ānd slŭgs, lăvendĕr,― tō lĭlăc, lōve-fĭlterēd līght spārklīng whĭte mārgin, yĕllow-tŏ-whĭte mărgīn, blāzīng Wōrld! shŏrt-shŏwy, spĭkes lŏw-mŏundĭng chōcolăte-brŏwn spīkes ŏf whĭte ănd pŭrple specātcular dărk glŏssy fūll sūn tō pārt shāde, pōsĭtĭon, PPLCLISOR cŭshĭon-līke bĭrd-ănd-bŭtterfly āttrăcting trŭmpet-shăped whīrling bŭtterflies elĕctric blūe dāze blōoms-māintain Rēstrīctĕd rōot rūn dărk cōrnĕr străp lĕaf drōught frōst ānd fĭre-splāsh ŏf cōlŏur tō ă sūnny bŏrder, dōuble- lāyered, bŭbbly-bărk ōnce, rōotstŏck mŭlti-trūnked, sŭpra- whĭte, sŭpra pūrple, āll shāde fālls nīght, tīll vĭolet ĭce būrsts blōoms, brĭght-gōlden-brĭllīănt, ĭn pērēnnĭăl evērgrēen                               Sydney & Melbourne, Nov 7-8, 2016. ____________________________________________________                               10. Trĭskăidĕkăphōbīă, fŏglĕt, bānnĭstēr bĕggar-my-nĕighbōur, bĕzĭque, būff-grēige-bēige, vērdigris ōutrĕmer cāvalry, twĭll-mēltŏn tweĕd mōire māxi-mĭdi, māxi-tāxi cōrdovan cūff-chāllis trūculent āccident detĕrmination, inhalătion, agglūtination ānd sŏcialism Ārmour-wĕigh, clăssĭfĭed drŭm-būllet, drŭm-tēch ōxygen- ātor, ēnhănced āh, mīssile-drūm, mărch, Mīley mārch-mŭsical-bōom fāntastic-Dālek rĕal Rōbŏcōp rŏbo-nĕon-tōmb, rōbo-swămp-fīre, gēt-oūt-īntō thē gārdēn thĭs-hēlps, sŭre, lāughter sŭre,-lĕt-mĕ-thĭnk,-ōh-yēah, Mūch agrēement ōn ĕverythĭng măny sūspect-wōrthy-īdĕas cōmbĭned shāmpŏos mūch lăughter, wăltzing mūch ĭnterestedness-mīrth-glīb-rēmorse ănything ĕxplodes āny hēadless mōllōsūs, mănageable ănd mĕdiocre ăny tāiless trĭbrăch, mĭnĕrăl tērpsichŏre, līthīc typŏlogy Fantasy-on-a-green-theme Channing-Tatum―and-pashed errata: Winter Sonata, errata: Weber-sleep-opf many let it go many let the storm rage-on will-end-us electoral, whelms-wind, some are moderately free some and/or many prefer ungrudging, greathearted guesswork                               Melbourne, Nov 9-10, 2016.
a.j. carruthers is an experimental poet + critic, author of a critical volume Stave Sightings: Notational Experiments in North American Long Poems, 1961-2011 (New York: Palgrave Macmillan, 2017); and the first part of a lifelong long poem, AXIS Book 1: Areal (Tokyo: Vagabond, 2014). See two online works: Opus 16 on Tehching Hsieh (Oakland: GaussPDF, 2016); & Ode to On Kawara (Buffalo: Hysterically Real, 2016).
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