Indigo Perry
Indigo Perry is a writer living in the Yarra Valley, outside Melbourne. Her book Midnight Water: A Memoir, was shortlisted for the National Biography Award. These poems are written during improvisational sessions as part of a collaborative performance art project called Illuminous, with trumpet player Andrew Darling. Indigo's writing is digitally projected onto a wall or screen as she writes. indigoperry.com/illuminous.
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White Like Fire (after Nick Cave) From down deep where the cycles are viscous. I thought I'd be the weightless self here at least. But gravity has my limbs and moments of liminal falling, softly. All my raindrops over you scattered in the power- thieving wind. Shaking me to a wakefulness that I wasn't ready for. He has this way of speaking slowly in a sad kind of poetry and we listen and descend into the same lulled momentum Light like full-moon gleam shuddering and shifting as trees and clouds dance in the storms falls over us And maybe you have never looked so lovely to me It's hard to resist touching. The innocence so present that it hurts like ecstasy. Claws inside now, trying hard to drag me back into my own body, cast me inside out, anything to stop me breaking this. I am here. The place avoided. The in-between. Staggered figures of me and me run back to nowhere to what's already gone grappling for its edges in the dark, like a waking me trying to push my way back into a dream that has already travelled onwards to dissipation and disappearance. And then throwing myself to the other side to an imagined future moment in which I am whole and glued together so perfectly that you can't see the lines on my face. And in that place I no longer mind what words of love you speak or don't speak and I forget to count the increments in between. It too crumbles. I'm only hearing the humming Strangely, I'm not dying. The hurt is in the usual parts, the old warning alarms of when to leave. Hands once bound ache and vibrate. Feet once broken throb and are numb and running at the same time. And the gorge now exposed to the light and the fury of you Stings like prematurely born layers of skin. This is where I am, even though they all keep trying to leave. Not begging to re-enter the lived-and-died dream and not gashing my hands with trying to climb into a future of nothing but the thinnest air to fall through again. At least here the ground under my feet is solid. Here I can try to be what I've never known. And stop trying to annihilate the truth of her pieces. It's all right and it's not at all all right. She is all of it Not in need of the protection of sad pasts Or platitudes of bloodless futures Just this. The discomfort of not knowing. Awkward rebuildings and hurt and sadness that can't even be spoken without inviting in catastrophe Again. It's not all that's here, cold, hard, and softly fragrant. There is joy. The sweet existence of complexity and the relief of imperfection. Surrendering to loving you anyway. I see a child, an adolescent child, sleeping inside me glazed golden by the waterfall. You played lullabies until she lay down to rest at last. Perhaps she begins to believe even if she can't possess him still the rivers run lusciously and the butterflies with inked wings fly. The Rain Inside Uneasy wind sending movement through the window disturbs the stillness that's keeping me crazy. Circling feet swinging over the ground, never quite touching. Swimming, with no direction and no power amidst the currents. Caught, hooked by a barb at the mouth, talking around it talking talking talking talking in circles again. Can't mouth the truth when my lips are bleeding and my tongue has gone to the sea And, the words hurt. I could sing like the wind through spaces in tinkling breakage and the crash of trees knocked off their feet. Circle like ghosts through alleys and avenues. Unintelligible whispers and furies of howls with nothing to be pinned or pegged down. But you still won't hear. The truth, wordless or not, will circle in the storms and whirlpools and my words will be threaded on hooks. Hunger. Every night, screeching feet not resting Keep running and talking Blocking doors left open Rising seas topped with delicately balanced rocks. No space to breathe. The pain marks memories on my sternum, the spirit of lightning aching to break over me. When the rain falls outside, I will let go and sleep. But inside this rain builds in dark clouds that stay. And I am burning. Opening the Gorge My blood runs in the ink. Making space, swirling torrents of love. Once I took home a round pot with handles, sculpted, figured with the body of an octopus. And I wake, marked with the tentacles laced in lifelines around my fingers. Diving in it's easy to lose my way in the dark so thick it has a clamouring soundlessness. How is it I forget that I always resurface, the dream of the blues from in deep meeting the dusk where I will swim, washed pale And remember. Dance through shining mirrors. Hold the flames that set me burning like Frida until they illuminate me No annihilation this time. Losses to hold in arms like long-rushed wildflowers or a baby too heavy to stay with me. What is the cost of being. Heart trussed until it can't breathe. The mornings, they are lethal. I know I've lost something And is it true that I've missed something. Because it seems to me that being strong and keeping alive means pretending. I can do that. Most of the time. It's not so different from being drugged to the point where I even pretend to cry And mime the sexual arousal that's off with the lowlights of the twilit sky. I open the entrance to the gorge of my heart and that's not pretending. What is it that I don't get. Yes, it seems that being real means pretending. You put tremors through me like the treadling of fine lace. I am determined not to break another lifeline, another place of warmth in the cool, moony night of storms that I am. For one who shatters I am strangely unbreakable but still I can break things. I laughed once while he broke rare, collectable crockery by throwing it over his back fence. He was just human. I'm not sure if I am. When I looked up I heard oceans and saw you with eyes like universes. I emerge in wild form, pure essence. No one has seen me from here. No one but you. And from this place, the wild-creature thrum of layered existences and births and dyings and especially of lovings, I see you. In your perfection. And this is the beauty that is the human experience and why all is forgivable and forgiven. But it hurts to see you go. The safety under the darkness of the night will go. Morning will come. And mornings are lethal. This strange comfort offered that the darkest nights are always followed by mornings – No. Mornings hurt. I set a piece, harp and piano, to wake me softly, to hold up a hazed mirror It tells me I'm not crazy It's not my imagination that it all hurts and if I open my eyes slowly after the blinking-under of tears I can be safe to wake. The slowly enunciated notes of deception. My friend tells me that being born and dying alone, living alone on the inside, breaks his heart. In dance I meet his gaze and see the redness. Quelled fire. (Have I got it wrong?) (Am I missing something?) (Are you all pretending?) All so hard on one another and on ourselves I want to hold on to what slips away like fishes. Breakages. Recurring Dream At sea, alone. Alone, in my bed at 3am. Stuck with silence, alone. Amidst my own personal global catastrophe. I die of words, over and over. You'd think I'd learn.
Indigo Perry is a writer living in the Yarra Valley, outside Melbourne. Her book Midnight Water: A Memoir, was shortlisted for the National Biography Award. These poems are written during improvisational sessions as part of a collaborative performance art project called Illuminous, with trumpet player Andrew Darling. Indigo's writing is digitally projected onto a wall or screen as she writes. indigoperry.com/illuminous.
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