Jessie Janeshek
Jessie Janeshek's third full-length book of poems MADCAP is forthcoming from Stalking Horse Press in 2019. Her first two books are The Shaky Phase (Stalking Horse Press, 2017) and Invisible Mink (Iris Press, 2010). Her chapbooks include Spanish Donkey/Pear of Anguish (Grey Book Press, 2016), Rah-Rah Nostalgia (dancing girl press, 2016), Supernoir (Grey Book Press, 2017), Auto-Harlow (Shirt Pocket Press, 2018), and Hardscape (Reality Beach, forthcoming). Read more at jessiejaneshek.net.
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Madcap/Pink Palace I would rather bury you love to shut you up I can’t help but blame you lying, skipping scenes seasick or pregnant champagne suds on split screen the same naked footage burying me. Each month dies alone and I don’t change my face the carnival chit-chat the Dixie cup dog the adrenaline alternate take. Each month dies alone or I die in my pink car the too-tight nude dress after meeting the queen I forgive transport pattern recognition the lie of rejection. This is my early evening. Christ, I forgive everything limestone, bad spirits coming in through the spine. I sit on the phone I straddle the Predicta TV or I sleep so much my life won’t matter in the crooner’s old house I watch bad biopics except for on Sunday. Then I walk up this same hill in pearls and hear the same song and I miss my headspace the red glow of the watertank and what I want to do is stand in the empty husks and rot time or dance on the ice in a pasture slip in the shape of a heart. You think you’re the love of my life or my lovelife and sex appeal is milk technicolor kitten lashes and winning all the pageants and/or shitting out my fudge mud so I can win the pageants and even the most vibrant past is governed by your current limitations and afterwards a nurse named Rosie electrotakes your temperature cracks your glitter just like that. Madcap/Mary Jayne Time me, purple hovel, turning brass under candles then cancel out the noir dream of the railroad and the dirty factory and the basketball court where we turned around       the noir dream where the man kept stroking my thigh and I liked the blacktop duress. I can’t take your words red dots on my canopy I want myself out of it can’t take your society once similarity now smeary capsules garish and clownlike now it will clear no rain for nine days now I made the mistake of starting the film with no Bette Davis. Now I wear hearts on my shoes and eat pretzels but I can’t not rush to the stoppage/bleed berries I can’t reconcile cleanliness with the toy knife stuck in the railroad tie.                I stay in the light 35 times long get sucked in the treehole but they would not buy me a plastic snail wherein to hide all my secrets (in the dream he liked me more than his wife since I ate) so I hid the pig in the drawer and buried myself in his sleeping bag my canopy bed was too fat and frilly. Now nothing won’t get me in trouble. I lay out the lace cards try to recite poetry. They promised me an extension a place to keep all of this besides my legs I had to pretend my cheap doll was another doll but it wasn’t too hard with her taffeta hairbow and our new town clock driven in on the back of a semi and only our bones to go on— Madcap/Sympathetic Chest pains deflecting your God complex to feel kind of awful upstairs it’s lonesome 10 degrees hotter I want to rot and not walk or it’s my rank heresy my styrofoam deity or my typewriter heredity or it’s your rotten song of the south or it’s me sticking to the tan leather seats of the Dodge Eagle autumnal and bronze-lipped next to the river eating my creamstick in my suicide tartan. I need to work above fragrance pump swings or plastic swimming pool bracelets your minutes expire I straddle exhaustion I need to get gas but my chestpains start I might die looking up from the mulch under the sliding board under the spinner. I am afraid of emotional investment the night I fell off the pink banana seat bike as those girls lost their heads it felt like I broke my chest next to the baby pool. I am not heady but I sit beside you on sparkly concrete the water too cold to swim in the ghost and you sashay you essay your Tarot card lay say you predict my poisonous blooms my bleating blue dresses. I lie and say I grew up in the basement spinning the hammer in the play doctor kit always nostalgic reflexive in summer I lie and say our puppets will stay green forever pickled in jars after the stitches a butterfly bandage on my leaking scar. Madcap/Castleman It was a question of me or a cargo of guns and one of the rumrunners made a goat face and I polished my shoes like a pill’s coating no patience, no motivation and sang a song in a pink hat wishing poison crossbone a ghost hole for the garbage and I touch up my roots for six weeks of winter and I think my brain’s finite 10 men in suits pretending messiahs and I make a mad face when one gives me a necklace and this is the feminine side and I guess I could climb a hill for a shaman or for black fever and he’d ask what moon do you pray to but who am I kidding? I know my brain’s finite and it’s not too hard to ingest or invigorate the soothe of hot water and look there are doors on the rocks by the creek and all through the dream you kept saying what I make has no meaning and plush days push longer so I do not eat and I wear leopard shoes so it will stop raining and I wear too-tight skirts and I drag my feet and remember the cold spring he blew his head off                the euphoria of the image of kidskin a guitar built into the preacher’s fake leg as the plastic wisemen stared from the window in the church basement?
Jessie Janeshek's third full-length book of poems MADCAP is forthcoming from Stalking Horse Press in 2019. Her first two books are The Shaky Phase (Stalking Horse Press, 2017) and Invisible Mink (Iris Press, 2010). Her chapbooks include Spanish Donkey/Pear of Anguish (Grey Book Press, 2016), Rah-Rah Nostalgia (dancing girl press, 2016), Supernoir (Grey Book Press, 2017), Auto-Harlow (Shirt Pocket Press, 2018), and Hardscape (Reality Beach, forthcoming). Read more at jessiejaneshek.net.
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