Irene Koronas

unitarian


envious attribute takes a swipe
they die short of forty
churchs there recall trolley 
the railing was narrow, dark brick
did not mean catholic a common
never leave. dead violets all
eye tumult in serene chaos he errors
the nonpulpit pages torn from god
knows sleep very few polish off

                      flashbulb parishioners
                      an elderly noe
                      bedridden
                      stranger
                      converts



44 ff memoir


from fall 1919 originally meant 
outline before long two folds
went basic he themed them

he brings ex she relates possible
gets his catch to hold does
 
                                   you
                                   locution

below graze
from pillar construction
grows itself a species a few
lines hem earlier his her
number mix and separate

              58
              instance
              70
              fuse
              71
              dilute

indivisible nor dryad itself
vis-à-vis next section variant
consist limit bundle so it is he
prays annuls not anal

                           congeal
                           intent
                           case



origin cf p 43


only step cradle far demands
whole risk translations
                 inactual
                 unreplete
                 lut comfort
                 with objects
                 be
                 hold
                 be
                 wirklich
                 finden cannot be found
mitted mound last two intervene
occur before now posit as fix you
you and I origin see note 3 on 
page 70
             break
             first
             precise
             solecism and idea

Irene Koronas is the author of numerous collections of xperimental writing. Her individual collections include declivities (BlazeVOX, 2018), Volume III in her Grammaton Series, ninth iota (The Knives Forks and Spoons Press, 2018), Volume II in her Grammaton Series, and Codify (Éditions du Cygne, 2017), Volume I in her Grammaton Series. Her xperimental writing and sauvage art have been published in BlazeVOX, The Boston Globe, Cambridge Chronicles, Clarion, E·ratio, New Mystics, Otoliths, Pop Art, Poesy, Presa, Stride, Taos Journal of International Poetry & Art, Silver Pinion and Word For/Word. She is an internationally acclaimed painter and digital artist, having exhibited at the Tokyo Art Museum Japan, the Henri IV Gallery, the Ponce Art Gallery, Gallery at Bentley College and the M & M Gallery. She’s a graduate of the Massachusetts College of Art & Design and is the Publisher and Managing Editor of X-Peri.
 
 
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