Doug Bolling
Variation 36
These stones.
Mystery of sleeping matter.
How was it before the
invention of
mind.
I am walking carefully.
Each step an edge.
Time owns my
inner self.
Its gravitational field
that keeps its songs
in silence.
I speak into the
darkness
where nouns
go to die.
Motion. Stillness.
The unheard whir
of atoms.
Yesterday has slid
into the cosmological
meringue.
Something has shadowed
Through me and moves
Slowly away
               slowly.
Schist with Cello
Distances. Loomings as from
a ghostly metric.
The songs. The heard contractions
of a past.
You ask: what is it to be an
absence adrift in desert.
Your voice a whisper
As of a flame uncertain.
Where we met. The pond. The
savanna. The high slopes.
How you gathered the schist
as in a prayer.
A pausing where shadow and
a single ray of light met.
0r our vanishing through a
membrane of words.
Didn’t we begin the composing
of poems as though a healing.
An escape as with a cello
smoothing out a pastness.
0ur camping beside the parched
river. The remains of what had
been. The water brackish,
barely there.
The voices saying: the spaces
between the silences,
between the words in their
imperium.
The touchings of what
eludes the commands.
Doug Bolling’s poems have appeared in Streetcake, Isthmus, Aji, Poetry Heist, The Missing Slate (with interview), Otoliths, Swamp Ape, and Indefinite Space among others. He has received Best of the Net and Pushcart nominations and several awards and lives in the Outlands of Chicago after teaching in academic institutions in the Midwest.
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Variation 36
These stones.
Mystery of sleeping matter.
How was it before the
invention of
mind.
I am walking carefully.
Each step an edge.
Time owns my
inner self.
Its gravitational field
that keeps its songs
in silence.
I speak into the
darkness
where nouns
go to die.
Motion. Stillness.
The unheard whir
of atoms.
Yesterday has slid
into the cosmological
meringue.
Something has shadowed
Through me and moves
Slowly away
               slowly.
Schist with Cello
Distances. Loomings as from
a ghostly metric.
The songs. The heard contractions
of a past.
You ask: what is it to be an
absence adrift in desert.
Your voice a whisper
As of a flame uncertain.
Where we met. The pond. The
savanna. The high slopes.
How you gathered the schist
as in a prayer.
A pausing where shadow and
a single ray of light met.
0r our vanishing through a
membrane of words.
Didn’t we begin the composing
of poems as though a healing.
An escape as with a cello
smoothing out a pastness.
0ur camping beside the parched
river. The remains of what had
been. The water brackish,
barely there.
The voices saying: the spaces
between the silences,
between the words in their
imperium.
The touchings of what
eludes the commands.
Complications Watt strove in vain to correct this asymmetry __________Samuel Beckett, WATT A spillage A downward Against the gravel A plea irregular All such uncalmed Because of unmeasured A universal as in a pas de deux Breaching of a disparity As though a darkened of sudden stage clashing in a cry the gears from for then behind {A departure} the the disunion arras among now such voices bloodied as appeared or then from within a broken a distant door calculus of shadows unsheathed no longer naked in a geometry a blurring of recognition in the such that preachments no reaching no longer could solid utterly in a frozen negotiate carapace such distance as slowly in . . . the slowly {The faces enormous a mirage Warped as room resumes. Now a there beyond of it stone}
Doug Bolling’s poems have appeared in Streetcake, Isthmus, Aji, Poetry Heist, The Missing Slate (with interview), Otoliths, Swamp Ape, and Indefinite Space among others. He has received Best of the Net and Pushcart nominations and several awards and lives in the Outlands of Chicago after teaching in academic institutions in the Midwest.
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