Volodymyr Bilyk
from The Song of the Great Tits
1
fa', fall.
err.
v -/- | v -/- | v -/- | v -/- | v -/-
dubitatione_.
nibble.
moan!
no craven,
vale!
too
ea, etc.).
si- ma- az- zum
do so?"
nothing
stroke.--P.
.
o! ff., 439, 456 ff.
probably...
j! oooh, ooze - eerie
bi bonk; knock
uu- u- -u -- | uu- uuu u- (so-so.)
goo; ...gob astern... odd
-quaint bedew
"coo" lo! ("woo")
baa...
cramps:
-pang, tick tick-
" 2-------------- " 477.
" 9-------------- " 478.
zigzag, hideous "hi ding do."
flap-flap; opaque buss
zing!
ta-dah!
2
Big A Little A
Ha Ha Ha
2,3,4,6,8,9,10,11,12,13; 1,5,7
2,3,4,6,8,9,10,11,12,13; 1,5,7
Oh-Oh-Ay-Oh
"Nothing"
Tired
Knock - tick-tick-tick
- "So-So"
Scrap Un Un
"Sho lo, lu la lo, sho lo, lu la"
"WWW Dot"
slop
"Doh!" – 0:20 Ah-Me
Shhh: SHHH.
Snip.
Slap!
mouth - whine woof
Doo Da Da
Bee - Backwards
Drip Drip Drip
"Drip Drip Drip"
"Drip, Drip, Drip"
Shaved
Bobby – saxophone (9)
Ward – saxophone (9)
Curtis – percussion (7)
Die Ant – percussion (7)
Johnnie – percussion (7)
"others" – percussion (7)
3
Sound scene
(eerie ebb):.. -.-.-.-.-.-
21 21...: enfeebles crackle of the loom -
"lams the hardened vague veer dab”
"yowl" ): tap:.....: - tuck "
(eerie: tilt):
brows blown - dire pitch...
wink swish thumb smirk.......
Opaque.......
Wave of the hardened hardened hardened hardened hardened
drawned out sithes draw
wry seethe... seethe:
tilt -blink )
* 34 (lisp click reflux: sway-wink)
* 34 (lissom chink reflux: sweep-blink )
* 34 ) ---"utter” tsk tut
jib thwacks a whist
" wry wink...
Tap (tear reeks
Tap (tear wrecks): flump tick...
(tongue goes beyond
-twang-
wry void yowl: taciturn twist...
a tad soothing
unfeigned:
" heave... " heave... " heave... " heave... "
duck thud
* tit tit- ratatat:
fiendish blink bat,-
pesky skirt -blink clout bubble babbling flinch
fain to pinch the sky…
...
and now: nil belch
4
bore waltz
Deep sigh
Woola Woola Woola.
Boom Tish
Doom
Click tap tap
THWACK Ow!
eanu-nu-nu, Gasp:
'aaar' - , 'aaar haar haar haar' - , 'yah, yah, hallo, ah haah haah haah.'
"nudge nudge wink wink"
(Whistles) chuckles,
wrrrr-- wrrrrrrrrrrr--COUGHING:
'hrrahheraghr',
'hrrurrsrruggsrher',
'hrrurrsmarrhghr'.
"Rmmemm Hrreesmmm."
Quiet, quiet, quiet, BANG!
Dong Dong Dash
Yah Yuh!
….hmmmm
Boom.
Foo Chu
(uh) ... (uh). (uh)...'! ...! ! Oh!! ...
Oh it's... oh! it... it's. Oh!
– Ah! It's... it... it's a... ah!
I... Ah! I... I... I... I. I... Ah, ah... I...
(XXXX), XXXX, XXXX
XXXX. XXXX
XXXX XXXX,
XXXX. XXXX XXXX
XXXX XXXX XXXX XXXX XXXX XXXX
XXXX XXXX, XXXX XXXX XXXX
XXXX. XXXX XXXX, XXXX XXXX, XXXX XXXX XXXX XXXX
XXXX, XXXX, XXXX. XXXX XXXX.
5
oiseaux
zZz
M (5:00)
Sound Of Earth - Jazz-Funk Edit
Diminished Feeling
eyes
Blue Line
AHH FFF SSS (5:38)
Zig Zag
Clouds
Mmm (2:32)
Tears Down the
Cheekbone Wormhole
Tongue
Sparks Sand Whirling
Ho Dat Uh Uh
smell
undecided
“...Must Be a Camel.”
Volodymyr Bilyk writes: "This is from my current project cyberpunk poetry thing which is an exploration of poetic text that reflects modern pattern of information perception. This particular sequence is something of a feeling out process. I was trying to figure the best way to express the overarching idea that culminates in the fifth poem."
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from The Song of the Great Tits
1
fa', fall.
err.
v -/- | v -/- | v -/- | v -/- | v -/-
dubitatione_.
nibble.
moan!
no craven,
vale!
too
ea, etc.).
si- ma- az- zum
do so?"
nothing
stroke.--P.
.
o! ff., 439, 456 ff.
probably...
j! oooh, ooze - eerie
bi bonk; knock
uu- u- -u -- | uu- uuu u- (so-so.)
goo; ...gob astern... odd
-quaint bedew
"coo" lo! ("woo")
baa...
cramps:
-pang, tick tick-
" 2-------------- " 477.
" 9-------------- " 478.
zigzag, hideous "hi ding do."
flap-flap; opaque buss
zing!
ta-dah!
2
Big A Little A
Ha Ha Ha
2,3,4,6,8,9,10,11,12,13; 1,5,7
2,3,4,6,8,9,10,11,12,13; 1,5,7
Oh-Oh-Ay-Oh
"Nothing"
Tired
Knock - tick-tick-tick
- "So-So"
Scrap Un Un
"Sho lo, lu la lo, sho lo, lu la"
"WWW Dot"
slop
"Doh!" – 0:20 Ah-Me
Shhh: SHHH.
Snip.
Slap!
mouth - whine woof
Doo Da Da
Bee - Backwards
Drip Drip Drip
"Drip Drip Drip"
"Drip, Drip, Drip"
Shaved
Bobby – saxophone (9)
Ward – saxophone (9)
Curtis – percussion (7)
Die Ant – percussion (7)
Johnnie – percussion (7)
"others" – percussion (7)
3
Sound scene
(eerie ebb):.. -.-.-.-.-.-
21 21...: enfeebles crackle of the loom -
"lams the hardened vague veer dab”
"yowl" ): tap:.....: - tuck "
(eerie: tilt):
brows blown - dire pitch...
wink swish thumb smirk.......
Opaque.......
Wave of the hardened hardened hardened hardened hardened
drawned out sithes draw
wry seethe... seethe:
tilt -blink )
* 34 (lisp click reflux: sway-wink)
* 34 (lissom chink reflux: sweep-blink )
* 34 ) ---"utter” tsk tut
jib thwacks a whist
" wry wink...
Tap (tear reeks
Tap (tear wrecks): flump tick...
(tongue goes beyond
-twang-
wry void yowl: taciturn twist...
a tad soothing
unfeigned:
" heave... " heave... " heave... " heave... "
duck thud
* tit tit- ratatat:
fiendish blink bat,-
pesky skirt -blink clout bubble babbling flinch
fain to pinch the sky…
...
and now: nil belch
4
bore waltz
Deep sigh
Woola Woola Woola.
Boom Tish
Doom
Click tap tap
THWACK Ow!
eanu-nu-nu, Gasp:
'aaar' - , 'aaar haar haar haar' - , 'yah, yah, hallo, ah haah haah haah.'
"nudge nudge wink wink"
(Whistles) chuckles,
wrrrr-- wrrrrrrrrrrr--COUGHING:
'hrrahheraghr',
'hrrurrsrruggsrher',
'hrrurrsmarrhghr'.
"Rmmemm Hrreesmmm."
Quiet, quiet, quiet, BANG!
Dong Dong Dash
Yah Yuh!
….hmmmm
Boom.
Foo Chu
(uh) ... (uh). (uh)...'! ...! ! Oh!! ...
Oh it's... oh! it... it's. Oh!
– Ah! It's... it... it's a... ah!
I... Ah! I... I... I... I. I... Ah, ah... I...
(XXXX), XXXX, XXXX
XXXX. XXXX
XXXX XXXX,
XXXX. XXXX XXXX
XXXX XXXX XXXX XXXX XXXX XXXX
XXXX XXXX, XXXX XXXX XXXX
XXXX. XXXX XXXX, XXXX XXXX, XXXX XXXX XXXX XXXX
XXXX, XXXX, XXXX. XXXX XXXX.
5
oiseaux
zZz
M (5:00)
Sound Of Earth - Jazz-Funk Edit
Diminished Feeling
eyes
Blue Line
AHH FFF SSS (5:38)
Zig Zag
Clouds
Mmm (2:32)
Tears Down the
Cheekbone Wormhole
Tongue
Sparks Sand Whirling
Ho Dat Uh Uh
smell
undecided
“...Must Be a Camel.”
Volodymyr Bilyk writes: "This is from my current project cyberpunk poetry thing which is an exploration of poetic text that reflects modern pattern of information perception. This particular sequence is something of a feeling out process. I was trying to figure the best way to express the overarching idea that culminates in the fifth poem."
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