Tony Beyer
from Man’s life
AN ADULT CHILD
iron being fine fertiliser our ancestors
left horseshoes and nails in the soil
I kneel on slightly damp ground
to weed around the beginning potatoes
sometimes I miss you so much
it seems impossible to breathe
CURRICULUM
the dog barks in Latin
Finno-Ugric and Sanskrit
in all his generations
nothing has changed
the parts of his skull part wolf
for him the music of the spheres
runs distant second
to the moon’s intermittent howl
he would take a bullet
he would sit and starve on a grave
he would chase the same flung stick a thousand times
a being
whose god is man
occasions aweful responsibility
DIRECTION
the dead in stovepipe hats and bonnets
stand waiting for God
at lychgates and garden gates
invisible to their descendants
their smell is the smell
of the nineteenth century
waxy and resinous
impacted with soot
the scythe-shaped wings of cemetery angels
have long since harvested them
and in the manner of travellers
(their bundled deeds by their sides)
they hope for good weather but accept
this might not be their time
or that heaven itself may be this waiting
thin as an eggshell unready to be broken through
Josef Beuys
the dark mirror
removes individuality
from whom it reflects
mensch
could be anyone
could be you
unpitying human kind
perhaps no more
heinous in intent
than any living being
picking over
a charred habitat
Masterpiece
on the shopping list
Michelangelo drew
for his illiterate servant
to take to the market
fish and fruit rendered
with the most basic
elegant lines
and loaves almost solid
in the precision
of their form
are works of art for once
not in the service
of the church or state
or distinguished men
but as signatures
of mutual humanity
with those who must
toil and feed and sleep
and whose names
may never be known
Tony Beyer is a New Zealand writer based in Taranaki. Recent work has appeared in Hamilton Stone Review, Landfall, Mudlark and Otoliths.
previous page     contents     next page
from Man’s life
AN ADULT CHILD
iron being fine fertiliser our ancestors
left horseshoes and nails in the soil
I kneel on slightly damp ground
to weed around the beginning potatoes
sometimes I miss you so much
it seems impossible to breathe
CURRICULUM
the dog barks in Latin
Finno-Ugric and Sanskrit
in all his generations
nothing has changed
the parts of his skull part wolf
for him the music of the spheres
runs distant second
to the moon’s intermittent howl
he would take a bullet
he would sit and starve on a grave
he would chase the same flung stick a thousand times
a being
whose god is man
occasions aweful responsibility
DIRECTION
the dead in stovepipe hats and bonnets
stand waiting for God
at lychgates and garden gates
invisible to their descendants
their smell is the smell
of the nineteenth century
waxy and resinous
impacted with soot
the scythe-shaped wings of cemetery angels
have long since harvested them
and in the manner of travellers
(their bundled deeds by their sides)
they hope for good weather but accept
this might not be their time
or that heaven itself may be this waiting
thin as an eggshell unready to be broken through
Josef Beuys
the dark mirror
removes individuality
from whom it reflects
mensch
could be anyone
could be you
unpitying human kind
perhaps no more
heinous in intent
than any living being
picking over
a charred habitat
Masterpiece
on the shopping list
Michelangelo drew
for his illiterate servant
to take to the market
fish and fruit rendered
with the most basic
elegant lines
and loaves almost solid
in the precision
of their form
are works of art for once
not in the service
of the church or state
or distinguished men
but as signatures
of mutual humanity
with those who must
toil and feed and sleep
and whose names
may never be known
Tony Beyer is a New Zealand writer based in Taranaki. Recent work has appeared in Hamilton Stone Review, Landfall, Mudlark and Otoliths.
0 Comments:
Post a Comment
<< Home