Bruno Neiva


jaw-assisted economics over seafood and nostalgic civil war sepia time spent make-up an earlier persona very good at being sunspots sits alone or hand in hand cavalry in any case age-old dog-eat-dog strategies hold the likes and bites of average subjects to evade a question with perfection of detail and event requires the easy-going timing of timeless dough drawn on hints out of clap-trapped interviews and continental breakfasts the play of female fancy has gone too far over reclining hermeneutics hardly a fortnight and already empty-handed standing at the door whip in hand performing some sort of military salute collecting signs of interjectional bonding a certain order of signs paves the way to life and its best objects remarkable indeed various objects on the writing-table shadow the wording rendering it bookish god only knows what types of criticism may have been passed in staccato plain direct statements set the mood and the doctrine blush somehow at war with the pains of small talk at a rather brisk pace on the way to consult on matters of the utmost embroidery got struck dumb at an inscription on the door of a museum documents began a long while ago to collect documents quite a wide field acres of ground making tiny side-plans on a margin hesitating a little fond of plenty of things resumed at full tilt a fading character continually missing the point may have been added by predecessors in a desperate attempt at pulling meaning from silently corrected textual variants reminded of the impossibility strictly speaking of laissez-faire practices arbitrary or partial within the confines of this building minutely for the sake of plot and character a bill has been passed to get the finances straight so the spotlight has been turned to new methodologies

Bruno Neiva is a text artist and poet.

An earlier, quite different, version of "Dough" was published in a now out of stock pamphlet through erbacce press in 2014.

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