Mark DuCharme
Mark DuCharme is the author of We, the Monstrous: Script for an Unrealizable Film, Counter Fluencies 1-20, The Unfinished: Books I-VI, Answer, The Sensory Cabinet and other works. His poetry has appeared widely in such venues as BlazeVOX, Caliban Online, Colorado Review, Eratio, First Intensity, New American Writing, Noon, Otoliths, Shiny, Talisman, Unlikely Stories, Word for/Word, and “Poetics for the More-Than-HumanWorld,” a special issue of Dispatches from the Poetry Wars. A recipient of the Neodata Endowment in Literature and the Gertrude Stein Award in Innovative American Poetry, he lives in Boulder, Colorado.
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Fool Mirror
There are no absolutes
In poetics, only
Words in this strange world
That no one lets us leave
Mirrors have fingers
Of minnows & straw
You have left the lake in the rear
There it is on your pillow
You who would flower
Only befoul me
With the irritations of dull
Men
The cuneiform uniform wasn’t
Worth it
Night is adjacent to summer
Leaves tossing
In moody ink
While children devise new & better folk songs
Is there no one to lift us
From this despair?
Come to me, shadows
While the lake is blooming!
Vital Orchids
He senses someone looks at
Darkened skies
While other somber hombres wander
Off & dither. What first
Attracted you about distanced
Learning? Do you live in a place
You already wanted to
Die in
Before vital orchids rasterized
Your lungs?
I used to want to be a rooster;
Now I am
President of Cambodia
(Ha-ha!) plus lots of
Random, urgent ballyhoo
Filled with music & bright lights.
But just as an aside, bitter
Marmalade
Doesn’t always lead to life coaching.
Is it unfair to say someone’s
Work’s insufficiently
Lively? I’ve got cinnamon rosaries &
Desperation psalters. In case you missed that
Memo, we
Are abutting tangled moments no more
Subject to paraphrase. Standing in place
In a floral emergency
In ancient protective rain gear
Where, human, I seem
To be without ghosts—
Sent in light with birds to meet you
Who then suddenly depart.
Someone Else’s Tongue
The peace of birds won’t swerve
All you meager reivers. The protégés had been occupied
With turnips. We held them in quarantine
Until all we could muster
Was a subjective mirage.
We’d been deceived by distanced forms of things before
That we don’t need. Life can be awful
If full of limp zinfandel. Come to & stumble
While the wind still isn’t true.
Perhaps I’m not a novice yet, but
All hotels are full of vacant skies
& The sounds of those who jabber
About rooftops in winter
Feigning a mild gaiety—
A fatal impulse to leave things behind.
But What Does It Sound Like?
for Randy Prunty
Cold & the leaves bleed
At the hour of no one’s birth
Where did the child go who didn’t know
& How many hours are left to go
I thought about it all in the time we had left
In the snow where you didn’t land or keep falling
Above where the shrill night beckons
Helplessly without a verb
& Any sound you know will go
To name in the snow or echo then fall
Behind it flittingly but once again to resound
That silence is the absence of sound or snow
In a flicker or timbre in the cold autumn cries
We are given birth to in or around
This act of sound
While histories accumulate & rush past the dead
Who are you in a moment etched forgotten
It didn’t take the eyes have made such strangeness
As it hadn’t needed to bleed distilled in days it tastes
All we are is all that we remember & redeem
All is all & everything near it
Wherever we go we go & round up the bitter
Days stutter & there will be others
Friends remember breath skims
Mark DuCharme is the author of We, the Monstrous: Script for an Unrealizable Film, Counter Fluencies 1-20, The Unfinished: Books I-VI, Answer, The Sensory Cabinet and other works. His poetry has appeared widely in such venues as BlazeVOX, Caliban Online, Colorado Review, Eratio, First Intensity, New American Writing, Noon, Otoliths, Shiny, Talisman, Unlikely Stories, Word for/Word, and “Poetics for the More-Than-HumanWorld,” a special issue of Dispatches from the Poetry Wars. A recipient of the Neodata Endowment in Literature and the Gertrude Stein Award in Innovative American Poetry, he lives in Boulder, Colorado.
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