Nathan Anderson
There was a birth here not too long ago
silence
these spaces
also known as
also known as
twitching in the
light diffusion
returning to
chromatic desperation
leading into
entropy
miracle of birth,
first found and replaced by levels on nothing,
man can no longer reproduce,
thirty or thirty five years,
longer for the speech to settle in,
longer for the words to cease reverberation,
longer for the wolf that feeds the cub,
longer for the screaming city streets,
by all means enjoy your toxic ambrosia,
by all means look forlornly into vacant space,
by all means employ your weary emblems,
by all means conscript me into your bed.
Poultice Kiss + Kiss
these tender threads
pulled to extremity
come forth towards the charging
mule
emblem emblem emblem emblem emblem
emblem emblem emblem emblem emblem
is this your red?
frost on the reservation
(ampersand section)
(ampersand section)
politically motivated
seen in the corner
wrongfully accused
drifting casts the measure
breathe deeply now [AND]
exhale...
Hands (abridged)
wrestling with
words
words
infinity
placarded through numerical
advantage
taken and reprised as though
and
and
and
monumental without spelling
timelessness of snakes in hand baskets
wrongfully informed
again
again
again
wrongfully amused
but
but
but
spoken and reread in song and solace without makers playing tennis as
though they are thought of as answers as though markings will not take to
the streets and ambush the waiting soldiers left wanting
play play
play again
play again Susie
play again
play play
play again
play again Susie
play again
Camel
Welcome!
to this the oblivion church
NOISE
NOISE
NOISE
NOISE
scrupulous in afterthought
sand banked
sand banked
there is a glass that sits on the window
sill
did
you
put
it
there?
Nathan Anderson is a writer from Mongarlowe, Australia. He is the author of the poetry book
Deconstruction of a Symptom (Alien Buddha Press) and has had work appear in The Babel Tower Notice Board, Coven, Otoliths and elsewhere. You can find him at
nathanandersonwriting.home.blog or on Twitter @NJApoetry.
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