Mike Ferguson
Invisible Lawyers
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He notes: "These two come from a sequence of poems that each begin with a found prose poem which is followed by a further two versions, these constrained mainly to the words in that 'starter'. I want to explore how 'meaning' transfers across the versions within the restriction imposed."
Invisible Lawyers
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Imagine that in a courtroom, voices from unknown places articulating precedence and passion. It will be theirs or the clients’ status which becomes null and void, though not the charges. Those historical constraints which were not seen but became evident for those who looked. I like that idea of the concealed pen writing our antiquity of subjugation. Due diligence looking through the eyes of secret powers. Where new partners did not send photos with their résumés. It would have been mildly preferable if the annoying glut of no win/no fee defenders were a product of incompetence rather than malice.
II In a courtroom of unknown passion there is a concealed diligence, the evident partners (who are historical) mildly secret in articulating the antiquity of their constraints through subjugation. III There are those who have powers through incompetence rather than malice, an idea not necessarily preferable. It is the product of an annoying glut of them – no constraints on their voices, their photos, their void writings. They win due to their secret: null precedence; a résumé of what they imagine is. Imagine if this was not, and not to be historical, not to be antiquity – as the product of how if let to be. Imagine, then have the diligence to not let them win. The courtroom resumes as defender, its preferable partner a passion for voices articulating passions and whatever charges become changes on demand.Hell or High Water
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Is there ever ambivalence in killing – as opposed to death by economics? Hope in eternal heat and deluge seems the remotest of understandable dumb thinking. Oh those jokes. Vigilantes are just protecting, right? We cannot watch before that moment, but now after, its prescience rolls out across a never-ending landscape like tumbling. One was a mean dude, the other only acting a part, historically speaking. How the heists are culturally our Robin Hood of selfishness. Even jalopies appear mystical in a getaway. Oh brother/s. If there was redemption it got buried with that car, so large and premeditated the hole. Retribution, however, is a haze across the plains, sunrise the same every day apart from storm.
II What appears ambivalence is everything discarded in the hope eternal of death economics. That dumb despair of faith is a better redemption joke than prescience by eternal retribution. III Better for hope in every ending day that it is discarded, protecting the tumbling on and on, and what rolls across death is the killing thinking jokes are retribution – faith made a premeditated mystical / eternal / ambivalence of dumb getaway. What can be opposed to economics? All is understandable in the storm, and a sunrise is haze just as it is remotest heat. We are buried before despair as prescience. Hope in every ending day is a dumb landscape Oh brothers / Oh sisters: large plains of eternal rollin’ and tumblin’, understandable as it is. What’s the faith in redemption when vigilantes are chasing after a day’s retribution in jalopies?Mike Ferguson is an American permanently resident in the UK. His most recent publications are And I Used to Sail Barges (The Red Ceilings Press, 2020) and Drawing on Previous Learning (Wrecking Ball Press, 2021).
He notes: "These two come from a sequence of poems that each begin with a found prose poem which is followed by a further two versions, these constrained mainly to the words in that 'starter'. I want to explore how 'meaning' transfers across the versions within the restriction imposed."
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