Ric Carfagna
from Sequences
-I-
From sometime previous
watched the earliest sunrise
to divert my mind
in a weary effort to render
it immortal
.
.
.
-II-
Bent forward again
she began to sketch
the window frames of an old house
whether real or imaginary
a person remote and solitary
assuming the composure of death
an annihilating figure
just emerging from the door
.
.
.
-III-
The middling wraiths
of poor souls with music
varying again and again
their apparitions maybe
uncompromising in martyrdom
and inevitable
among the graves
.
.
.
-IV-
In the myths of my meditations
a poetry’s strange
substanceobscured my perception
its grey light’s slow diffusion
made conscious
a virtue most transient
and shrinking …
a height and depth
veiled in countenance
an obtuse gravity
conscious of a vacancy
as the weeks pass
half a score of miles
into yesterday's journey
.
.
.
-V-
Still her presence
unsealed from its depth
walked on
conscious of the shadow
of death
a stain
faded into nothingness
corporeal substance
still ringing in her ears
.
.
.
-VI-
Having listened
to a solitary man
thinking it time to be disconsolate
I know how hard it was
to glance back
to being
a boy of five years old
turning from an outward scene
of so little comfort
it was a strange sight
not deeply conscious
of the deepest truths
of the earliest years
.
.
.
-VII-
A cloak drawn
to the inhabitants themselves
the unsettled multitude
among tangled woods
grown only for beauty
yet never having been able
to describe them clearly
for it was now late in the day
with brown tint of latter autumn
beneath the clouded sky
.
.
.
-VIII-
Drawn to the seashore
it must be considered
the haunt of men
of solitude
like a corpse in shadow
climbing the iron balustrade
every mortal having left
so deep a stain
inexorably close
to the mind's waking
to morning twilight
.
.
.
-IX-
A moody man
burning the timber
old gentleman
almost forgotten
face still hidden
in semblance of living scenes
golden tassel
into sullen gloom
dreams of prophecy
faith be broken
then a madman
.
.
.
-X-
It was not to be a scene
rendered melancholy
such was the aspect of the times
in the morning
a granite obelisk
extending over the sea
weather in a dream or vision
now obtaining a metaphorical existence
even now
its voiceless presence
estranged from human faces
grey figures appearing
to relate their old fables
cold embers
in a darkness pervading
the air’s gathered presence
Ric Carfagna was born and educated in Boston, Massachusetts. He is the author of numerous collections of poetry, most recently: Integral Series published by Alien Buddha Press- https://www.amazon.com/Integral-Ric-Carfagna/dp/B08KH3S73N and Symphony No.3 (caryatids for the firmament) (pending from Unlikely Stories Press).His poetry has evolved from the early radical experiments of his first two books, Confluential Trajectories and Porchcat Nadir, to the unsettling existential mosaics of his multi-book project Notes On NonExistence.
Ric lives in rural Central Massachusetts with his wife, cellist Mary Carfagna and daughters, Emilia and Aria.
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