Keith Higginbotham
Content Warning
Occupation, isolation, oppression, forced labor,
physical pain, childbirth, violence, blood, torture,
warfare, injury, thoughts and prayers, Sunday school,
drugs, mind control, ableism, racism, sadism,
evangelism, night tremors, child abuse, sexual assault,
eating disorders, high school, animal cruelty,
colonialism, self-harm, gym class, incest,
pornographic content, classism, nudity, homophobia,
mental illness, abduction, suicide, drug abuse,
graphic depictions of bodily fluids, wrestling practice,
objectification, kink shaming, misgendering,
body horror, body horror, body horror, body horror.
Torsion Drone
depreciate life of half-light from boss to the truck
error fantails itself a fistful burning to a lovely room
longform fiddles my spirit applied conjecture columns
rebellion contagion brows hair shrub
Prairie Shoe
the same sleeping head the
hand book
cakes your horse
the rosy example
of the heartland
wolf cereal thumbs
the peanut tree
moon ruckles the
american desert bright
Mercer Street
walk in my jays
lost bluish love: tomahawk
hungry dance caves
undress a bouncer, fad
in the fingers
half-light machetes food your
cassette
of life what’s this
fistful about
Knot
my yarn
whispers of the eye
words downstream pooled
lithe like sidle ripening
I’m equally the trees and
the tongues
my violet lie she pulses
my bread in the meadow’s same
soft pent heat past
a gravity bell
a dope remainder
about the wind around it
again it sounds ceremonial
in life the churn deletes
a mountain to ignite
Keith Higginbotham has published the poetry collections
Calibration (Argotist eBooks),
Theme From Next Date (Ten Pages Press),
Prosaic Suburban Commercial (Eratio Editions), and
Carrying the Air on a Stick (The Runaway Spoon Press). He also makes art, which has appeared in various publications and on book covers, and most recently in The Melon Factory Magazine. You can find his artwork on Instagram (@jkeith2f) and all sorts of other stuff on his Twitter account (@ohaikeith). He lives in South Carolina.
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