Jordan Stempleman
Waving, the head turned behind
To conclude, a nakedness of the possible.
Left over with things that disparity
senses to be wrong. A test through which some use
totalizes something here. Young plant
with eyes and emigrations. I depended on siblings,
once I understood we were to never live
in the same place again. It’s all there,
circled as if purchased and tallied
with its condition lying somewhere between
what an item calls for and what an item calls for
as its use. Certain, there was once a duster overhead.
A stand in for motion, a passage so needful of distance
and the success that follows illumination.
Certain verities in frequency are from the numerous
and wonderful and returning.
Along the way there’s receding.
A puffing birch sheds bark, and the social ground
is what we sat on, more so, when younger.
With ground and phenomena, with water
and fields, and with what dupes attraction
when each of these elements reshapes and departs.
The Promise to Stand
As into view will come the reflex
that looms things large. If the tactic
included, weighs plain as importance,
there may be a sickness that appears
from the hopes of permanence.
So natural a reception to burn right through
the greeting, the union of the rutted patch,
hopefully, yielding to the laws of newness.
The secrecy undetermined, caring for its intrusion,
until the relief again wears on
only with print. A thing from the release
of verities, altered, if not provided where kept.
Considerations well into water
The parts came to know one another
as best they could. To number themselves
as one would rate the importance
of items if forced to chose. None to be settled on
as coming last, this would come later,
when surprised that others were noticing
how each began to give priority over the other,
each listening to how one follows the other, unaware
that there were those who began to bet on
which would pass the other, until one stood at the end,
and so on, in the shadow of the front.
Jordan Stempleman's poetry has previously appeared in magazines such as New American Writing, Moria, MiPoesias, Milk Magazine, Shampoo, Softblow, and Word for/Word.
His first book, Their Fields is now available through Moria e-books.
previous page     contents     next page
Waving, the head turned behind
To conclude, a nakedness of the possible.
Left over with things that disparity
senses to be wrong. A test through which some use
totalizes something here. Young plant
with eyes and emigrations. I depended on siblings,
once I understood we were to never live
in the same place again. It’s all there,
circled as if purchased and tallied
with its condition lying somewhere between
what an item calls for and what an item calls for
as its use. Certain, there was once a duster overhead.
A stand in for motion, a passage so needful of distance
and the success that follows illumination.
Certain verities in frequency are from the numerous
and wonderful and returning.
Along the way there’s receding.
A puffing birch sheds bark, and the social ground
is what we sat on, more so, when younger.
With ground and phenomena, with water
and fields, and with what dupes attraction
when each of these elements reshapes and departs.
The Promise to Stand
As into view will come the reflex
that looms things large. If the tactic
included, weighs plain as importance,
there may be a sickness that appears
from the hopes of permanence.
So natural a reception to burn right through
the greeting, the union of the rutted patch,
hopefully, yielding to the laws of newness.
The secrecy undetermined, caring for its intrusion,
until the relief again wears on
only with print. A thing from the release
of verities, altered, if not provided where kept.
Considerations well into water
The parts came to know one another
as best they could. To number themselves
as one would rate the importance
of items if forced to chose. None to be settled on
as coming last, this would come later,
when surprised that others were noticing
how each began to give priority over the other,
each listening to how one follows the other, unaware
that there were those who began to bet on
which would pass the other, until one stood at the end,
and so on, in the shadow of the front.
Jordan Stempleman's poetry has previously appeared in magazines such as New American Writing, Moria, MiPoesias, Milk Magazine, Shampoo, Softblow, and Word for/Word.
His first book, Their Fields is now available through Moria e-books.
0 Comments:
Post a Comment
<< Home