Jordan Stempleman
Road to Waterloo
they’ve stolen his
identity, and
now
he wants it
back, decides
since
it’s been gone
he’s tried
Moses,
Boulez, and perfume
but they
all
stink, I mean,
nothing fits
like
what one’s given
to begin
with,
he says, wadded
up, looking
puffed
worn, and distinctly
not there,
so,
I go out,
decide, common
minds
do exist, so
knowing odds
are
I’ll never find
‘him’ again
or
people who steal
such things
never
return such things,
I’ll begin
by
finding a baby,
my sister’s
ready
to hand one
over, and
then,
after years of
self sacrifice,
no
movies except for
the old
videos
of him acting
foolish, books
he
said he read
but didn’t,
the
time will come
when, old
enough
to meet him,
my son,
grown
to an enormous
size and
likeness,
we’ll take that
long car
ride,
not speaking, not
knowing if
talking
will make it
better or
harder
to stay like
him, exactly
like
him, and when
we arrive
there
at his house,
parked under
nothing
resembling a carport,
I’ll reach
over
him, unlock the
door, push
open
the door, knowing
he’d never
do
it himself, and
watch how
slow
it seems, his
walk, his
approach
up the walk
to meet
him
for the first
time, and
when,
after years he
knocks, there
he’ll
be, looking down,
listening for
friendly
advice on what
to do
next
Jordan Stempleman is the author of Their Fields (Moria e-books, 2005) and What's the Matter (Otoliths, 2007). Recent work is forthcoming in The City Visible: Chicago Poetry for the New Century, New American Writing, Outside Voices: 2008 Anthology of Younger Poets, and P-Queue.
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Road to Waterloo
they’ve stolen his
identity, and
now
he wants it
back, decides
since
it’s been gone
he’s tried
Moses,
Boulez, and perfume
but they
all
stink, I mean,
nothing fits
like
what one’s given
to begin
with,
he says, wadded
up, looking
puffed
worn, and distinctly
not there,
so,
I go out,
decide, common
minds
do exist, so
knowing odds
are
I’ll never find
‘him’ again
or
people who steal
such things
never
return such things,
I’ll begin
by
finding a baby,
my sister’s
ready
to hand one
over, and
then,
after years of
self sacrifice,
no
movies except for
the old
videos
of him acting
foolish, books
he
said he read
but didn’t,
the
time will come
when, old
enough
to meet him,
my son,
grown
to an enormous
size and
likeness,
we’ll take that
long car
ride,
not speaking, not
knowing if
talking
will make it
better or
harder
to stay like
him, exactly
like
him, and when
we arrive
there
at his house,
parked under
nothing
resembling a carport,
I’ll reach
over
him, unlock the
door, push
open
the door, knowing
he’d never
do
it himself, and
watch how
slow
it seems, his
walk, his
approach
up the walk
to meet
him
for the first
time, and
when,
after years he
knocks, there
he’ll
be, looking down,
listening for
friendly
advice on what
to do
next
Jordan Stempleman is the author of Their Fields (Moria e-books, 2005) and What's the Matter (Otoliths, 2007). Recent work is forthcoming in The City Visible: Chicago Poetry for the New Century, New American Writing, Outside Voices: 2008 Anthology of Younger Poets, and P-Queue.
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