Anne Gorrick
The July Garden
Fireworks The white screen of another month resembles
the white out of her fingers
are while her temperature falls. Still
Made madnesses on delicacy
a The peonies bankrupting, silver plated
A quarter of July cut into holidays
The beach inside an old house, and the fireworks’ brief garden
brief Out of the ocean: miles
or a garden almost completely played out
except for the curiosities of goosenecks
garden The oak still splendid: red with bees
The screen is another month in front of her
because it resembles taste
Her fingers move out of this computed white
The silver belly of mental disorders in elegance:
the bankrupted farm
The jet fire in airplanes, a traveled king of allotters
The beach, like many old houses, has people and fireworks
pulled out of it like miles
overwhelming in its excess
In moth curiosity
daylilies and the jackmanii empty out July
In balsamed bee calms, forced weathers in Red and Magenta
Time Temperature a pregnant falling, meant slowly. Still
Many beds of iris rhyme with the elegance of a farm
where flowers yesterday were white
resembles or silver gone bankrupt
The fire in the jetcraft of minor kings
holidays plated with fireworks
first The ocean pulls miles out of the old beach house
In order to generate a larger spectacle
the garden sinks under loosestrife
glances Curiosity remaining in daylilies, empty if done
Another month fronted her
when time is similar to looking
She: temperature too inadequate to locate the I’s whereabouts, slowly
The farm loftily spent
silver: the peony bankrupted
Old houses and fireworks, the sea unraveling for miles
Carmine moths, in complete curiosity
The months laid against one another
or while time stops in her fingers
in white consequence
Still, if you become iridescent
silver if the peonies in yesterday, then the silver dawn insolvent
Competition plates the king
Holiday’s substantial beach
bankrupts The sea pulled from its own miles
We trace words on the turned throat of a goose
Water gutters in paper majority
daybreak Bees forced clearly for properties in red
A fat month in front of the I
Time because it is similar to whites and blacks
The ore in her finger
movements in white consequence
She is not full of her temperatures
whereabouts I, meaning slowly
assumed excavations
Expenditures understood yesterday possibly
The cause of silver for an agricultural factory
Peonies declare daybreak bankrupt
of A wild spray of airplane fire
Competition chooses which king to silverplate
a Suitable fireworks pull a mile out of the sea
The garden’s waterdrain gutter in goose throat trace
First papers incomplete, the jackmanii threaded through daylilies
sea The bees in forced product
One months of white screens inside
The hours a similar search for hazard
Wild in airplane gushing, excavated
The plating in competition peeled
Dawn in urgent inability which becomes declaration
to a white farm
Tablelands in gain and loss, it writes
The holidays peel from the hazards carried by July
The seashore longs for fireworks, suitable to stand in for miles
Trace knowledge at the throat, geese gutter in adjacent waters
First papers and rum
The jackmanni snaps off inside the daylilies
There the butterfly ends
In the beds, property is a clear ingredient
Red, and the car it pushed off
Small The hours in risk initially
The movement of her fingers stops
at endangered interiors, unsatisfactory temperatures
still, Small, still, You
become excavation, inert
Plated in pressing incapacity
which becomes the declaration in color
You peeled off yesterday
Explosives, ground tables, risk
Profit and loss revise him
The holidays peeled and quartered
July carries interiors similar to seashores
An ocean in wish for a detonator ardently
The house sways in agreements
In order to be happy, compare risk
trace knowledge against the throats of Canadian geese
adjacent water gutters
First paper exclude him, remaindered in rum
Multiple jackmanni broken far inside the daylilies
Property and risk are obligatory in red cars pushed off cliffs
certain ingredients released
In Months compose her asymmetrically
The shape of hours that taste like risk
Her temperature is inadequate, meant slowly
the Still, if we become iridescent in spent understanding
How white was yesterday
your perhaps formed in silver dawn avowed insolvent wildly
course of Decided in fire: July
a quarter in resemblance to a holiday
The beach, many old houses corrected by fireworks
the sea, pulled out of miles
competition: Cause for a larger illustration, exceeds in luck
in sunken competition
Substance traced at the throat of a goose
a water garden incompletely made of paper
Her The forced manner of characteristics
A white screen covers her
like hours that fall, like risk at the beginning
The movement of her fingers at his interiors
The I endangered by temperature, means the I insufficient
Always, the You becoming more nuanced
excavated, inserted
Wild and a plan of gushing
the incapacity of pressure
declaration in white to be peeled possibly
Groundtables of risk
Paper At the night’s seaside, there is so much July ocean
that burns like wishes detonating
Happy in completed risk, traces of knowledge
like the upturned throats of geese
Gutter in adjacent water
excludes Paper excludes us
remaindered in rum, in multiple jackmanii
The flower will break the distance between daylilies
A butterfly inserted with property
Obligatory released
us Red and the car they pushed
There will be white screens and moths to cover her
in dresses that look like hours
The You delivered from nuance, excavation, introduction
It was wild to plan, and gush
in the process of competition, in selected orders
Descend as far as possible into pressure
The incapacity to descend into loss: she writes to it
Holidays made up of one quarter risk
The ocean desire burning and persona
Competition immersed in water, happy in its own completion
Locate traces of knowledge in the fluttering throat of adjacent waters
The distances conclude in compulsory reds
Small The months in front of her like screen
time tastes like danger, threatens the I
the which was always intended to be small
The nuances of excavation
wildness The wildness in plans
Him: the explosive that writes the farm
A pure white declaration, the disabled power in pressue
in There is an ocean which desires this very house
the thousands of external personalities of the seashore
plans Commerce surpasses reason
Facts dampening in water, the search in it for the physical
The You excluded from first papers
The broken eye of the will in intervals of daylilies
the remaining ram liquor in plural jackmanii
Completed knowledge at your throat
We bring the quality of danger to the raw materials
mandatory in bees
Color the automobile red in order to harvest
Time tastes like beginning
when She threatens insufficient temperature
The I, which is intended, is small
The farm writes in her a moment of pure declaration
Need and him, explosive
the The farm where you write marks of pure declaration
In addition to holidays: forms, behaviors, the material July
One quarter of interior dangers are always similar
The ocean wishes for this very house
I and a thousand external possibilities installed
on the edge of the sea, detonated
Danger competes when the I is happy
when the I surpasses reason
surpasses Fact deadens in water
Here eyes are broken by his will
Daylilies carry luck at their throats
reason Bees made compulsory against the red harvest
Titania/Titanium:
the Honeymoon
Begin again
Swell and fluke
break of heaven
Magenta and green
boatrasp
in color
Sky’s cyan rant
A bitten Persian
Would sleep well
under coarse
and purpleblown
Scratching the cliff into
photo or flight
Dislike the eye as way
I abbreviate you here
you, the ring
breviary, the ring
aviary
vary
Marry this Italy
to suture
Anne Gorrick's work has been published in many journals including: American Letters and Commentary, the Cortland Review, Dislocate, eratio, Fence, Gutcult, Hunger Magazine, No Tell Motel, the Seneca Review, Sulfur, and word for/word. Her work has appeared in several anthologies including: The Bedside Guide to No Tell Motel, (No Tell Press, 2006), Homage to Vallejo (Greenhouse Review Press, 2006), and Riverine: An Anthology of Hudson Valley Writers (Codhill Press, 2007).
Collaborating with artist Cynthia Winika, she produced a limited edition artists’ book "Swans, the ice,” she said with grants from the Women’s Studio Workshop in Rosendale, NY and the New York State Council for the Arts. She also curates the reading series Cadmium Text, featuring innovative writing from in and around New York’s Hudson Valley. More about the readings can be found here.
Her first book, Kyotologic, is forthcoming in 2008 from Shearsman Books.
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The July Garden
Fireworks The white screen of another month resembles
the white out of her fingers
are while her temperature falls. Still
Made madnesses on delicacy
a The peonies bankrupting, silver plated
A quarter of July cut into holidays
The beach inside an old house, and the fireworks’ brief garden
brief Out of the ocean: miles
or a garden almost completely played out
except for the curiosities of goosenecks
garden The oak still splendid: red with bees
The screen is another month in front of her
because it resembles taste
Her fingers move out of this computed white
The silver belly of mental disorders in elegance:
the bankrupted farm
The jet fire in airplanes, a traveled king of allotters
The beach, like many old houses, has people and fireworks
pulled out of it like miles
overwhelming in its excess
In moth curiosity
daylilies and the jackmanii empty out July
In balsamed bee calms, forced weathers in Red and Magenta
Time Temperature a pregnant falling, meant slowly. Still
Many beds of iris rhyme with the elegance of a farm
where flowers yesterday were white
resembles or silver gone bankrupt
The fire in the jetcraft of minor kings
holidays plated with fireworks
first The ocean pulls miles out of the old beach house
In order to generate a larger spectacle
the garden sinks under loosestrife
glances Curiosity remaining in daylilies, empty if done
Another month fronted her
when time is similar to looking
She: temperature too inadequate to locate the I’s whereabouts, slowly
The farm loftily spent
silver: the peony bankrupted
Old houses and fireworks, the sea unraveling for miles
Carmine moths, in complete curiosity
The months laid against one another
or while time stops in her fingers
in white consequence
Still, if you become iridescent
silver if the peonies in yesterday, then the silver dawn insolvent
Competition plates the king
Holiday’s substantial beach
bankrupts The sea pulled from its own miles
We trace words on the turned throat of a goose
Water gutters in paper majority
daybreak Bees forced clearly for properties in red
A fat month in front of the I
Time because it is similar to whites and blacks
The ore in her finger
movements in white consequence
She is not full of her temperatures
whereabouts I, meaning slowly
assumed excavations
Expenditures understood yesterday possibly
The cause of silver for an agricultural factory
Peonies declare daybreak bankrupt
of A wild spray of airplane fire
Competition chooses which king to silverplate
a Suitable fireworks pull a mile out of the sea
The garden’s waterdrain gutter in goose throat trace
First papers incomplete, the jackmanii threaded through daylilies
sea The bees in forced product
One months of white screens inside
The hours a similar search for hazard
Wild in airplane gushing, excavated
The plating in competition peeled
Dawn in urgent inability which becomes declaration
to a white farm
Tablelands in gain and loss, it writes
The holidays peel from the hazards carried by July
The seashore longs for fireworks, suitable to stand in for miles
Trace knowledge at the throat, geese gutter in adjacent waters
First papers and rum
The jackmanni snaps off inside the daylilies
There the butterfly ends
In the beds, property is a clear ingredient
Red, and the car it pushed off
Small The hours in risk initially
The movement of her fingers stops
at endangered interiors, unsatisfactory temperatures
still, Small, still, You
become excavation, inert
Plated in pressing incapacity
which becomes the declaration in color
You peeled off yesterday
Explosives, ground tables, risk
Profit and loss revise him
The holidays peeled and quartered
July carries interiors similar to seashores
An ocean in wish for a detonator ardently
The house sways in agreements
In order to be happy, compare risk
trace knowledge against the throats of Canadian geese
adjacent water gutters
First paper exclude him, remaindered in rum
Multiple jackmanni broken far inside the daylilies
Property and risk are obligatory in red cars pushed off cliffs
certain ingredients released
In Months compose her asymmetrically
The shape of hours that taste like risk
Her temperature is inadequate, meant slowly
the Still, if we become iridescent in spent understanding
How white was yesterday
your perhaps formed in silver dawn avowed insolvent wildly
course of Decided in fire: July
a quarter in resemblance to a holiday
The beach, many old houses corrected by fireworks
the sea, pulled out of miles
competition: Cause for a larger illustration, exceeds in luck
in sunken competition
Substance traced at the throat of a goose
a water garden incompletely made of paper
Her The forced manner of characteristics
A white screen covers her
like hours that fall, like risk at the beginning
The movement of her fingers at his interiors
The I endangered by temperature, means the I insufficient
Always, the You becoming more nuanced
excavated, inserted
Wild and a plan of gushing
the incapacity of pressure
declaration in white to be peeled possibly
Groundtables of risk
Paper At the night’s seaside, there is so much July ocean
that burns like wishes detonating
Happy in completed risk, traces of knowledge
like the upturned throats of geese
Gutter in adjacent water
excludes Paper excludes us
remaindered in rum, in multiple jackmanii
The flower will break the distance between daylilies
A butterfly inserted with property
Obligatory released
us Red and the car they pushed
There will be white screens and moths to cover her
in dresses that look like hours
The You delivered from nuance, excavation, introduction
It was wild to plan, and gush
in the process of competition, in selected orders
Descend as far as possible into pressure
The incapacity to descend into loss: she writes to it
Holidays made up of one quarter risk
The ocean desire burning and persona
Competition immersed in water, happy in its own completion
Locate traces of knowledge in the fluttering throat of adjacent waters
The distances conclude in compulsory reds
Small The months in front of her like screen
time tastes like danger, threatens the I
the which was always intended to be small
The nuances of excavation
wildness The wildness in plans
Him: the explosive that writes the farm
A pure white declaration, the disabled power in pressue
in There is an ocean which desires this very house
the thousands of external personalities of the seashore
plans Commerce surpasses reason
Facts dampening in water, the search in it for the physical
The You excluded from first papers
The broken eye of the will in intervals of daylilies
the remaining ram liquor in plural jackmanii
Completed knowledge at your throat
We bring the quality of danger to the raw materials
mandatory in bees
Color the automobile red in order to harvest
Time tastes like beginning
when She threatens insufficient temperature
The I, which is intended, is small
The farm writes in her a moment of pure declaration
Need and him, explosive
the The farm where you write marks of pure declaration
In addition to holidays: forms, behaviors, the material July
One quarter of interior dangers are always similar
The ocean wishes for this very house
I and a thousand external possibilities installed
on the edge of the sea, detonated
Danger competes when the I is happy
when the I surpasses reason
surpasses Fact deadens in water
Here eyes are broken by his will
Daylilies carry luck at their throats
reason Bees made compulsory against the red harvest
Titania/Titanium:
the Honeymoon
Begin again
Swell and fluke
break of heaven
Magenta and green
boatrasp
in color
Sky’s cyan rant
A bitten Persian
Would sleep well
under coarse
and purpleblown
Scratching the cliff into
photo or flight
Dislike the eye as way
I abbreviate you here
you, the ring
breviary, the ring
aviary
vary
Marry this Italy
to suture
Anne Gorrick's work has been published in many journals including: American Letters and Commentary, the Cortland Review, Dislocate, eratio, Fence, Gutcult, Hunger Magazine, No Tell Motel, the Seneca Review, Sulfur, and word for/word. Her work has appeared in several anthologies including: The Bedside Guide to No Tell Motel, (No Tell Press, 2006), Homage to Vallejo (Greenhouse Review Press, 2006), and Riverine: An Anthology of Hudson Valley Writers (Codhill Press, 2007).
Collaborating with artist Cynthia Winika, she produced a limited edition artists’ book "Swans, the ice,” she said with grants from the Women’s Studio Workshop in Rosendale, NY and the New York State Council for the Arts. She also curates the reading series Cadmium Text, featuring innovative writing from in and around New York’s Hudson Valley. More about the readings can be found here.
Her first book, Kyotologic, is forthcoming in 2008 from Shearsman Books.
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