Michael S. Begnal
Angles
the Angles are coming!
keels on the shore,
forays across the sea in keels,
heaved oars, hacked the sea,
forced the WEALES west,
again
planting language,
ground cultivated, a displacement of DNA,
sex on the prairie advertised in print,
drunken soldiers looking for a plantation
the rustling grasses breezily cut,
and the insecure gardens of violence,
trimmed bushes regimented in rows,
as Malick put it
trade winds dance,
agrarian economy, multiple-harvest,
the difference between
the forest
vs. the goods,
a yield of such commodities
more
Poem Written at Work
Walls of red brick looming above,
vents & black metal railings &
industrial air-conditioning fans
spinning into blindness,
streaks of rust drip down concrete
twenty feet
sun beats bright on the
NO PARKING
ANY
TIME
↔
sign
to the side, half in the shade,
a tree
tangled in the shadows of its branches,
its roots underneath the tarmac
piles of pallets
& another broad wall of brick,
a delivery truck drives in
July 12
fade
fade
fade
umbrella
fade
fade
bowler hat
fade
sash
fade
fade
domi-
nation
fading
fading
fading
union
Michael S. Begnal is the author of three collections: Ancestor Worship (Salmon Poetry, 2007), Mercury, the Dime (Six Gallery Press, 2005), and The Lakes of Coma (Six Gallery Press, 2003). He has appeared in journals such as Notre Dame Review, Shearsman, BlazeVOX, Poetry Ireland Review, PIG: a journal, and many others. He is published in the anthologies Breaking the Skin: New Irish Poetry (Black Mountain Press, 2002) and, in the Irish language, Go Nuige Seo (Coiscéim, 2004, 2005). He is also included in the recent essay collection, Avant-Post: The Avant-Garde under “Post-” Conditions (Litteraria Pragensia, 2006). Begnal was formerly the editor of the Galway, Ireland-based literary magazine, The Burning Bush (1998-2004). He blogs at www.mikebegnal.blogspot.com.
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Angles
the Angles are coming!
keels on the shore,
forays across the sea in keels,
heaved oars, hacked the sea,
forced the WEALES west,
again
planting language,
ground cultivated, a displacement of DNA,
sex on the prairie advertised in print,
drunken soldiers looking for a plantation
the rustling grasses breezily cut,
and the insecure gardens of violence,
trimmed bushes regimented in rows,
as Malick put it
trade winds dance,
agrarian economy, multiple-harvest,
the difference between
the forest
vs. the goods,
a yield of such commodities
more
Poem Written at Work
Walls of red brick looming above,
vents & black metal railings &
industrial air-conditioning fans
spinning into blindness,
streaks of rust drip down concrete
twenty feet
sun beats bright on the
NO PARKING
ANY
TIME
↔
sign
to the side, half in the shade,
a tree
tangled in the shadows of its branches,
its roots underneath the tarmac
piles of pallets
& another broad wall of brick,
a delivery truck drives in
July 12
fade
fade
fade
umbrella
fade
fade
bowler hat
fade
sash
fade
fade
domi-
nation
fading
fading
fading
union
Michael S. Begnal is the author of three collections: Ancestor Worship (Salmon Poetry, 2007), Mercury, the Dime (Six Gallery Press, 2005), and The Lakes of Coma (Six Gallery Press, 2003). He has appeared in journals such as Notre Dame Review, Shearsman, BlazeVOX, Poetry Ireland Review, PIG: a journal, and many others. He is published in the anthologies Breaking the Skin: New Irish Poetry (Black Mountain Press, 2002) and, in the Irish language, Go Nuige Seo (Coiscéim, 2004, 2005). He is also included in the recent essay collection, Avant-Post: The Avant-Garde under “Post-” Conditions (Litteraria Pragensia, 2006). Begnal was formerly the editor of the Galway, Ireland-based literary magazine, The Burning Bush (1998-2004). He blogs at www.mikebegnal.blogspot.com.
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