Ric Carfagna
Trace Elements
I-
A widow’s form defines shadows
tapering
light moving in forward motion
through thoughts
and recollections … patterns
amid accumulations of dust
the bodily
fascinations with an anterior fate
a self-reflected in shards of glass
as if a future defines itself
in a mirror’s image
a flagging spirit’s autonomy
garnered in histories repeating -
II-
There is the pale river
to be forded before sunset
the wind chimes anticipating evening
where moments of stasis reign
in a candle’s passive windowing
wax droppings in vast corridors
an outstretched arm to embrace
a music now drowning
the cosmic significance
of daylight’s receding torpor -
III-
Cloud cover’s edge vale in shallow breath
as when the overcast subjugates
a light from circular stairwells
and the rectangular openings of doorways
invites the unseen
spectral revenants
resurrecting
the uncertainty in faces
and the isolation of dreams
once seen at ashrams -
IV-
There have been overlooked aspects
diminished through articulation
and left over syntax
bleeding to bruised cataract-ground
wreckage of prisons
anonymity and decay
this terrestrial lie
has spawned the alien intervention
of surrogate fears and misplaced passion :
it is when conversation fails
to meet the bounds
postulated by intention
that walls form patterns
and storms gather in framed doorways -
V-
Surely there must be one requiem felt in the heart
to supplant this image the mirror interrogates
flanked by tone rows and harmonious intervention
the driftwood has now become relevant
to the strand’s ebbing presence -
VI-
A route of diminished returns
and bifurcations that are less the product
of poverty’s misgivings
there is still the ideological
‘road not taken’
still the romantic allegories
to fabricate windows from walls -
VII-
Transparency eludes this angle of vision
so how can the objective observer
ascribe an accurate definition
to what cannot be
an entity unseen in doorways? -
VIII-
It is in the placation to another’s image of freedom
that a sandstorm appears
an insignificant obscuration
in the flames of conflict
the insurgence of subjugating agendas
trash bins burn missives
and lies conspire
to quell the wind’s turbulent penetration
sterile poignancies steel barbs
a vacuous indication of substance
policies to underlie
a flat-earth
formulation of verity . . .
Rigor of observation
‘they watched the city burn’
and the embers reconstruct
a wind’s intention
Reticent
forms in isolation
parsing the hours . . .
night-sky stasis and clearing overcast
evolving vision of primitive stars
the unchanging
allusions to water, regeration
and the continuous
flow of ages
drawn together
form undulating in ebbing currents
For the sake of clarity
portents occlude the eye’s infusion
causation cannot deny
the human element of fate
as a house of cards crumbling
beneath this weight
passive forms lie
vanquished to silence -
IX-
Each season unto itself is sufficient
and the empty page is misplaced
entropy & displacement
corridors recede
among driftwood and debris
scattered
mortality covers the inland sea
where horizons diminish
the ashen fog lifts
before there is vision
to observe
permanence:
a crow walks
the edge of a strand
the penchant is to seek
enlightenment
as the wreckage is passed
the eye acclimates
to scour daylight
for evidence of the myth
that lay in the unresolved –
X-
This sense that surrounds
the chaotic voices
becoming misplaced
a ghost walks among the living
there are few who sense the presence
and fewer still to absorb the illumination
emanating from the unglued seams
perception becomes
a chink in the armor
soon a tapering light
diminishing
into wall recesses -
XI-
The mettle of straw gods uphold
what this faith states:
endings are among architecture
redefining the self
amid the physical
axioms of observation
what is relevant
as a desert encircling
this sparse gravity as motion
sifting elemental energies
transferred
among the oscillation of shadows
and nebulous contours to define
form or flesh
Ric Carfagna is the author of 15 collections of poetry, most recently Null Set and Esse (Book II) published by x-Pressed. His poetry has evolved from the early experimental radicalities of his first two books, Confluential Trajectories and Porchcat Nadir, to the unsettling existential mosaics of his current collections, including his ongoing multi-book project Notes On NonExistence.
Ric has been the Poetry Review Editor for the E-Journal Poetic Inhalation and is currently associated with the arts and poetry publication New Mystics.
His poems have been published widely in America as well as in Europe.
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Trace Elements
I-
A widow’s form defines shadows
tapering
light moving in forward motion
through thoughts
and recollections … patterns
amid accumulations of dust
the bodily
fascinations with an anterior fate
a self-reflected in shards of glass
as if a future defines itself
in a mirror’s image
a flagging spirit’s autonomy
garnered in histories repeating -
II-
There is the pale river
to be forded before sunset
the wind chimes anticipating evening
where moments of stasis reign
in a candle’s passive windowing
wax droppings in vast corridors
an outstretched arm to embrace
a music now drowning
the cosmic significance
of daylight’s receding torpor -
III-
Cloud cover’s edge vale in shallow breath
as when the overcast subjugates
a light from circular stairwells
and the rectangular openings of doorways
invites the unseen
spectral revenants
resurrecting
the uncertainty in faces
and the isolation of dreams
once seen at ashrams -
IV-
There have been overlooked aspects
diminished through articulation
and left over syntax
bleeding to bruised cataract-ground
wreckage of prisons
anonymity and decay
this terrestrial lie
has spawned the alien intervention
of surrogate fears and misplaced passion :
it is when conversation fails
to meet the bounds
postulated by intention
that walls form patterns
and storms gather in framed doorways -
V-
Surely there must be one requiem felt in the heart
to supplant this image the mirror interrogates
flanked by tone rows and harmonious intervention
the driftwood has now become relevant
to the strand’s ebbing presence -
VI-
A route of diminished returns
and bifurcations that are less the product
of poverty’s misgivings
there is still the ideological
‘road not taken’
still the romantic allegories
to fabricate windows from walls -
VII-
Transparency eludes this angle of vision
so how can the objective observer
ascribe an accurate definition
to what cannot be
an entity unseen in doorways? -
VIII-
It is in the placation to another’s image of freedom
that a sandstorm appears
an insignificant obscuration
in the flames of conflict
the insurgence of subjugating agendas
trash bins burn missives
and lies conspire
to quell the wind’s turbulent penetration
sterile poignancies steel barbs
a vacuous indication of substance
policies to underlie
a flat-earth
formulation of verity . . .
Rigor of observation
‘they watched the city burn’
and the embers reconstruct
a wind’s intention
Reticent
forms in isolation
parsing the hours . . .
night-sky stasis and clearing overcast
evolving vision of primitive stars
the unchanging
allusions to water, regeration
and the continuous
flow of ages
drawn together
form undulating in ebbing currents
For the sake of clarity
portents occlude the eye’s infusion
causation cannot deny
the human element of fate
as a house of cards crumbling
beneath this weight
passive forms lie
vanquished to silence -
IX-
Each season unto itself is sufficient
and the empty page is misplaced
entropy & displacement
corridors recede
among driftwood and debris
scattered
mortality covers the inland sea
where horizons diminish
the ashen fog lifts
before there is vision
to observe
permanence:
a crow walks
the edge of a strand
the penchant is to seek
enlightenment
as the wreckage is passed
the eye acclimates
to scour daylight
for evidence of the myth
that lay in the unresolved –
X-
This sense that surrounds
the chaotic voices
becoming misplaced
a ghost walks among the living
there are few who sense the presence
and fewer still to absorb the illumination
emanating from the unglued seams
perception becomes
a chink in the armor
soon a tapering light
diminishing
into wall recesses -
XI-
The mettle of straw gods uphold
what this faith states:
endings are among architecture
redefining the self
amid the physical
axioms of observation
what is relevant
as a desert encircling
this sparse gravity as motion
sifting elemental energies
transferred
among the oscillation of shadows
and nebulous contours to define
form or flesh
Ric Carfagna is the author of 15 collections of poetry, most recently Null Set and Esse (Book II) published by x-Pressed. His poetry has evolved from the early experimental radicalities of his first two books, Confluential Trajectories and Porchcat Nadir, to the unsettling existential mosaics of his current collections, including his ongoing multi-book project Notes On NonExistence.
Ric has been the Poetry Review Editor for the E-Journal Poetic Inhalation and is currently associated with the arts and poetry publication New Mystics.
His poems have been published widely in America as well as in Europe.
1 Comments:
oomph and wow. this is just
so
lovely...
!
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