Felino Soriano
Painters' Exhalations
383
—after Yuriy Shevchuk’s Jazz Miles Davis 2
The running water of
esoteric solos
distinguished
different formulations,
intimate emotions—
embracing altered
grace
gone in the windy breath of afternoon’s
cleanings.
A caressing care
con
toured toward
relaying physical
grandiloquence
garbing
reliant listeners with ornate baths of the barely visible
striations. Distant, near the faint interpretation of nearly
lost to absence, the heard finalizes human contact, musical
bodies lying down in meadow calm
sheltered within the human
tone tongued from the reaching forth
tantara.
384
—after Eric Aho’s Long Yellow
The yellow S
curved
elongated etch on
tiger leech’s shimmering physique analogous
to the field of smiling suns
born up from the soil’s embracing threads,
gesturing.
Avenue of landscape
where the crawling dangle slowly
below
acrobatic avifauna
launching
into saluting
formations
higher than the thought of cease can
ascertain
thus, infinite or simile of
echoed ensuing
brandishes
itself over into repetitive showcases
day’s author refuses to erase.
385
—after Matt Brackett’s Threshold
Door’s grand attire. Obese
opening, occasion to gander
a
specialized fortune, anti-cookie broken
fashion.
Couple, man and mate,
their lives a distance complicating
mathematical understanding.
Their
wants, a gnarl wishing return
of sporadic rainfall, too dry to design
clothing to clothe a moment meant of
happy alterations. Forward
step
become.
Next,
an intertwining will befall, life
together until the door of allegorical
death
swings its breath of unraveling
exit.
386
—after Michael (Corinne) West’s Poetic Structure
Silvered
s
l
i
d
i
ng
an aerial convert
once startled an uneven show balanced
on the scale
-rise with dawn’s pet rooster: trembling
a leaf circumference (here, circumference, data of circular come backs
bound to routine the mind ceases to release)
Xeroxed
demonstrated same in conceptual name is revolution
language returns across spectrum
totaling artistic
landing.
387
—after Ruth Durland Horton’s Untitled Abstract
We watch the wanted blend
a created creature form itself
interpretational grace,
freed jazz assembly of birds of the congregate
arrowhead forth hitherto realized
a distant locality.
388
—after Francis Butterfield’s The Embrace
Lovers embrace tongues, body
lingo form of verbalizing hands, absent
revelations. Assembled, a store bought
model careful to showcase unaltered, true to
directions human minds define
among dissipating Eros.
Felino Soriano (b. 1974, California) is a case manager and advocate for developmentally and physically disabled adults. He is the editor of Counterexample Poetics, an online journal of experimental artistry. As a poet, he has authored seven collections of poetry, including Among the Interrogated (BlazeVOX [books], 2008) Feeling Through Mirages (Shadow Archer Press, 2008) Calling Toward Clarity (Chippens Press, 2009), Search among the Absent Found (Recycled Karma Press, 2009), and r (please press, 2009). A mini-chapbook of poems is forthcoming from Wheelhouse Magazine, 2009, as well as a full-length collection from Calliope Nerve, 2009. The internal collocation of philosophical studies and love of classic and avant-garde jazz is the explanation for his poetic stimulation. Details are at his website.
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Painters' Exhalations
383
—after Yuriy Shevchuk’s Jazz Miles Davis 2
The running water of
esoteric solos
distinguished
different formulations,
intimate emotions—
embracing altered
grace
gone in the windy breath of afternoon’s
cleanings.
A caressing care
con
toured toward
relaying physical
grandiloquence
garbing
reliant listeners with ornate baths of the barely visible
striations. Distant, near the faint interpretation of nearly
lost to absence, the heard finalizes human contact, musical
bodies lying down in meadow calm
sheltered within the human
tone tongued from the reaching forth
tantara.
384
—after Eric Aho’s Long Yellow
The yellow S
curved
elongated etch on
tiger leech’s shimmering physique analogous
to the field of smiling suns
born up from the soil’s embracing threads,
gesturing.
Avenue of landscape
where the crawling dangle slowly
below
acrobatic avifauna
launching
into saluting
formations
higher than the thought of cease can
ascertain
thus, infinite or simile of
echoed ensuing
brandishes
itself over into repetitive showcases
day’s author refuses to erase.
385
—after Matt Brackett’s Threshold
Door’s grand attire. Obese
opening, occasion to gander
a
specialized fortune, anti-cookie broken
fashion.
Couple, man and mate,
their lives a distance complicating
mathematical understanding.
Their
wants, a gnarl wishing return
of sporadic rainfall, too dry to design
clothing to clothe a moment meant of
happy alterations. Forward
step
become.
Next,
an intertwining will befall, life
together until the door of allegorical
death
swings its breath of unraveling
exit.
386
—after Michael (Corinne) West’s Poetic Structure
Silvered
s
l
i
d
i
ng
an aerial convert
once startled an uneven show balanced
on the scale
-rise with dawn’s pet rooster: trembling
a leaf circumference (here, circumference, data of circular come backs
bound to routine the mind ceases to release)
Xeroxed
demonstrated same in conceptual name is revolution
language returns across spectrum
totaling artistic
landing.
387
—after Ruth Durland Horton’s Untitled Abstract
We watch the wanted blend
a created creature form itself
interpretational grace,
freed jazz assembly of birds of the congregate
arrowhead forth hitherto realized
a distant locality.
388
—after Francis Butterfield’s The Embrace
Lovers embrace tongues, body
lingo form of verbalizing hands, absent
revelations. Assembled, a store bought
model careful to showcase unaltered, true to
directions human minds define
among dissipating Eros.
Felino Soriano (b. 1974, California) is a case manager and advocate for developmentally and physically disabled adults. He is the editor of Counterexample Poetics, an online journal of experimental artistry. As a poet, he has authored seven collections of poetry, including Among the Interrogated (BlazeVOX [books], 2008) Feeling Through Mirages (Shadow Archer Press, 2008) Calling Toward Clarity (Chippens Press, 2009), Search among the Absent Found (Recycled Karma Press, 2009), and r (please press, 2009). A mini-chapbook of poems is forthcoming from Wheelhouse Magazine, 2009, as well as a full-length collection from Calliope Nerve, 2009. The internal collocation of philosophical studies and love of classic and avant-garde jazz is the explanation for his poetic stimulation. Details are at his website.
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