Michael Farrell
human beeswax
begin with a mismatched duo. (‘stepped ... church’.) would i ring
to say i disagree? but i never
saw how it
was formed ... humour as a train; anoth-
er unseen [sensitive patriarch] movie ive heard of ... also, the barn dance:
half of them could not ‘get quizzic-
al’. the archangel figurine looks violent. whats so
distinct about your emot-
ions? he goes back to the checkout:
hes stony, not wanting to talk
AS SUBURBAN SPACES HAVE PINK & BLUE CHALK
about the situation hes
created. fifteen minutes, bett-
er spent than at the river drowning bait (eating flowery
honey cake).
the thorn with the boy in its side
this must be another colony, but one where they still
grow
lavender ... see the airplane parts & whalebone?
HAVENT THE MINUTES FLOWN
i tried your dream gener-
ating couch
& things are abstracter
with my
collective than ever. (weve come
ADMITTEDLY OUR BASE IS RUM
to no conclusion.) 'crumpled ... nose.' adverbial interleavings. '& when'
forced
its relation, presence. theres nothing
that needs remember-
INFER
ing buts here in cursive script (why look
around? ... because of
persons in the night: eating soft bread & soothing the
    dead).
outside, words
WHATRE YOUR OPTIONS TELL ME WHATRE YOUR PREFERREDS
form; sight & sound
conflict. pollutions just doing its best
MOTHERS MAKING THEIR CHILD FEEL BLESSED
to get by. i saw a mob of pollution
once in a clearing, lying
in wait, for the lake to
A PROBLEM IN THE PAPER YOU MIGHT LIKE TO UNDO
turn its transmitters
off; but pollution hasnt
the patience of old-
school predators. the rumbling threat of
water boiling
dissipates. everything made
from cane – '[tul-
EVERYTHING ANYTHING CAN BE FUEL
ips]' from mandelstam: not an ungrieving
im-
age. because of
the tv, because of ... is
it (inconsistent) thinking or composition? youve got to draw a
    'line' somewhere
it might as well be here: there, put the zipper here.
strummertime blues
wake up maggie.
& if i should fall (bark sarc-
asm) where the storage ends: black & white check. magenta
    leather
(puce leather). ‘saint’ monica, prot-
ector-harasser of the
unt-
idy.
moods key. under way, the
welcome was
warm. someone possibly unborn, has lucked out.
NO GOUT
‘its thirty a.m. & ...’ pieces, thermoses
of coffee,
rouged cheeks of yonder
damon albarn look-
alike. a
dirt pink possibil-
ity; a cap for his arse.
the night stretched out like a road, bodes.
Michael Farrell has published 3 books: ode ode (Salt), a raiders guide (Giramondo) and BREAK ME OUCH (3 Deep). He is the coeditor (with Jill Jones) of Out of the Box: Contemporary Australian Gay and Lesbian Poets (Puncher and Wattmann).
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human beeswax
begin with a mismatched duo. (‘stepped ... church’.) would i ring
to say i disagree? but i never
saw how it
was formed ... humour as a train; anoth-
er unseen [sensitive patriarch] movie ive heard of ... also, the barn dance:
half of them could not ‘get quizzic-
al’. the archangel figurine looks violent. whats so
distinct about your emot-
ions? he goes back to the checkout:
hes stony, not wanting to talk
AS SUBURBAN SPACES HAVE PINK & BLUE CHALK
about the situation hes
created. fifteen minutes, bett-
er spent than at the river drowning bait (eating flowery
honey cake).
the thorn with the boy in its side
this must be another colony, but one where they still
grow
lavender ... see the airplane parts & whalebone?
HAVENT THE MINUTES FLOWN
i tried your dream gener-
ating couch
& things are abstracter
with my
collective than ever. (weve come
ADMITTEDLY OUR BASE IS RUM
to no conclusion.) 'crumpled ... nose.' adverbial interleavings. '& when'
forced
its relation, presence. theres nothing
that needs remember-
INFER
ing buts here in cursive script (why look
around? ... because of
persons in the night: eating soft bread & soothing the
    dead).
outside, words
WHATRE YOUR OPTIONS TELL ME WHATRE YOUR PREFERREDS
form; sight & sound
conflict. pollutions just doing its best
MOTHERS MAKING THEIR CHILD FEEL BLESSED
to get by. i saw a mob of pollution
once in a clearing, lying
in wait, for the lake to
A PROBLEM IN THE PAPER YOU MIGHT LIKE TO UNDO
turn its transmitters
off; but pollution hasnt
the patience of old-
school predators. the rumbling threat of
water boiling
dissipates. everything made
from cane – '[tul-
EVERYTHING ANYTHING CAN BE FUEL
ips]' from mandelstam: not an ungrieving
im-
age. because of
the tv, because of ... is
it (inconsistent) thinking or composition? youve got to draw a
    'line' somewhere
it might as well be here: there, put the zipper here.
strummertime blues
wake up maggie.
& if i should fall (bark sarc-
asm) where the storage ends: black & white check. magenta
    leather
(puce leather). ‘saint’ monica, prot-
ector-harasser of the
unt-
idy.
moods key. under way, the
welcome was
warm. someone possibly unborn, has lucked out.
NO GOUT
‘its thirty a.m. & ...’ pieces, thermoses
of coffee,
rouged cheeks of yonder
damon albarn look-
alike. a
dirt pink possibil-
ity; a cap for his arse.
the night stretched out like a road, bodes.
Michael Farrell has published 3 books: ode ode (Salt), a raiders guide (Giramondo) and BREAK ME OUCH (3 Deep). He is the coeditor (with Jill Jones) of Out of the Box: Contemporary Australian Gay and Lesbian Poets (Puncher and Wattmann).
1 Comments:
Michael, in my opinion, these poems surpass all yr others. These are a direct line to the poetry gods! Terrific stuff!
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