Michael Berton
Patient Parking Only
Lickety Split
Penmanship
      where flows the libidinal energy constant frenzy through ink
jettisoned in subterranean logic structure symbol of sensorial
language in the deepest recesses through one’s body as sieve
dripping letters onto fingers forming words
      nascent cadence vanguard projection to and fro dance mono-
lith thesis rubble of babel babble of rubble underfoot template
simmers on oxygen noise velocity purring organic rhyme wrinkles
staining crevices then bulging pustules tumescent odors reeks and
scents makes skin tight with virility shots and punches to the core
orifice oral face vicious circles and ovals
      mania is a criteria for critical language gauge mind mantra
muse mimic subtle species mantle borrowed idiosyncratic cog-
nates scream protuberance slogans dwelling in hyper reflexivity
details raw and decomposing voids in common width of sphincter
pinch splayed along digressing zones of unsanitary punctuation
insideways cerebral glitches
      divide by the sum cauterize all tensile zilches behind your façade
then goof gargling three finger digit tincture zany cursive fragments
of existential exits scripted in oral permutation reciprocity in various
forms of random enigma
Michael Berton is the author of a collection of poems titled Man! You Script The Mic. (New Mitote Press). He has had poems published in Venereal Kittens, And/Or, REM Magazine, Volt, Indefinite Space, Cormac McCarthy's Dead Typewriter, Snow Monkey, Gertrude and others. He lives in Portland, OR.
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Patient Parking Only
sencha sensori satori in sunset saturated skyline brick red magenta apricot weave peacock abstract exquisite demise quick crick staccato cricket ricochets lickety click eyelids blink façade stubble fragant flipper trill grip rip rip raggedy lips girl grill rest in peace
Bug Juice
teach mindscape mischief
Dad loaned son gun
jail through posterity
whistle while neighbors
circle for sport
covert lust rough
contact girls basket
ball ping-pong around
the chimney sweeps soot
embers alive well after
parents sleep children
wander genes reverberate
body shapes bagged
shagged a good supply
of fags in the gardener’s
pocket not enough to
darn a curse unless
unused on the dining
table bug juice and
bebop bananas whipspank
skeleton keys to the closet
Lickety Split
pop pop pop pop pop pop pop pop popcorn cop corn pop porn cop porn on the corner of pop and porn pop the corn pop the porn cop the corn cop the porn cop on the corner corn on the cob porn on the corner porn on the cop pourin’ it on the cop pop pop pop pop pop pop pop the cop cop the corn corn the porn cop the cop porn the cop on the corner of pop’s porn got corn the cop got corn pop corn got porn the cop got porn pop porn the cop got corn holed on porn pouring slop on pop’s popcorn pop pop pop pop pop pop pop pop pop pop
Penmanship
      where flows the libidinal energy constant frenzy through ink
jettisoned in subterranean logic structure symbol of sensorial
language in the deepest recesses through one’s body as sieve
dripping letters onto fingers forming words
      nascent cadence vanguard projection to and fro dance mono-
lith thesis rubble of babel babble of rubble underfoot template
simmers on oxygen noise velocity purring organic rhyme wrinkles
staining crevices then bulging pustules tumescent odors reeks and
scents makes skin tight with virility shots and punches to the core
orifice oral face vicious circles and ovals
      mania is a criteria for critical language gauge mind mantra
muse mimic subtle species mantle borrowed idiosyncratic cog-
nates scream protuberance slogans dwelling in hyper reflexivity
details raw and decomposing voids in common width of sphincter
pinch splayed along digressing zones of unsanitary punctuation
insideways cerebral glitches
      divide by the sum cauterize all tensile zilches behind your façade
then goof gargling three finger digit tincture zany cursive fragments
of existential exits scripted in oral permutation reciprocity in various
forms of random enigma
Michael Berton is the author of a collection of poems titled Man! You Script The Mic. (New Mitote Press). He has had poems published in Venereal Kittens, And/Or, REM Magazine, Volt, Indefinite Space, Cormac McCarthy's Dead Typewriter, Snow Monkey, Gertrude and others. He lives in Portland, OR.
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