Michael Berton
Patient Parking Only
Lickety Split
Penmanship
      where flows the libidinal energy constant frenzy through ink
jettisoned in subterranean logic structure symbol of sensorial
language in the deepest recesses through one’s body as sieve
dripping letters onto fingers forming words
      nascent cadence vanguard projection to and fro dance mono-
lith thesis rubble of babel babble of rubble underfoot template
simmers on oxygen noise velocity purring organic rhyme wrinkles
staining crevices then bulging pustules tumescent odors reeks and
scents makes skin tight with virility shots and punches to the core
orifice oral face vicious circles and ovals
      mania is a criteria for critical language gauge mind mantra
muse mimic subtle species mantle borrowed idiosyncratic cog-
nates scream protuberance slogans dwelling in hyper reflexivity
details raw and decomposing voids in common width of sphincter
pinch splayed along digressing zones of unsanitary punctuation
insideways cerebral glitches
      divide by the sum cauterize all tensile zilches behind your façade
then goof gargling three finger digit tincture zany cursive fragments
of existential exits scripted in oral permutation reciprocity in various
forms of random enigma
Michael Berton is the author of a collection of poems titled Man! You Script The Mic. (New Mitote Press). He has had poems published in Venereal Kittens, And/Or, REM Magazine, Volt, Indefinite Space, Cormac McCarthy's Dead Typewriter, Snow Monkey, Gertrude and others. He lives in Portland, OR.
previous page     contents     next page
Patient Parking Only
sencha sensori
satori in sunset
saturated
skyline
brick red
magenta
apricot
weave peacock abstract
exquisite
demise
quick crick
staccato cricket
ricochets
lickety click
eyelids
blink
façade stubble
fragant
flipper
trill grip
rip rip
raggedy lips
girl grill
rest
in
peace
Bug Juice
teach mindscape mischief
Dad loaned son gun
jail through posterity
whistle while neighbors
circle for sport
covert lust rough
contact girls basket
ball ping-pong around
the chimney sweeps soot
embers alive well after
parents sleep children
wander genes reverberate
body shapes bagged
shagged a good supply
of fags in the gardener’s
pocket not enough to
darn a curse unless
unused on the dining
table bug juice and
bebop bananas whipspank
skeleton keys to the closet
Lickety Split
pop
pop pop
pop pop pop
pop pop
popcorn
cop corn
pop porn
cop porn
on the corner
of pop and porn
pop the corn
pop the porn
cop the corn
cop the porn
cop on the corner
corn on the cob
porn on the corner
porn on the cop
pourin’ it on the cop
pop
pop pop
pop pop pop
pop the cop
cop the corn corn the porn
cop the cop
porn the cop
on the corner of pop’s porn
got corn
the cop got corn
pop corn
got porn
the cop got porn
pop porn
the cop got corn holed
on porn
pouring slop
on pop’s popcorn
pop pop
pop pop pop
pop pop
pop pop pop
Penmanship
      where flows the libidinal energy constant frenzy through ink
jettisoned in subterranean logic structure symbol of sensorial
language in the deepest recesses through one’s body as sieve
dripping letters onto fingers forming words
      nascent cadence vanguard projection to and fro dance mono-
lith thesis rubble of babel babble of rubble underfoot template
simmers on oxygen noise velocity purring organic rhyme wrinkles
staining crevices then bulging pustules tumescent odors reeks and
scents makes skin tight with virility shots and punches to the core
orifice oral face vicious circles and ovals
      mania is a criteria for critical language gauge mind mantra
muse mimic subtle species mantle borrowed idiosyncratic cog-
nates scream protuberance slogans dwelling in hyper reflexivity
details raw and decomposing voids in common width of sphincter
pinch splayed along digressing zones of unsanitary punctuation
insideways cerebral glitches
      divide by the sum cauterize all tensile zilches behind your façade
then goof gargling three finger digit tincture zany cursive fragments
of existential exits scripted in oral permutation reciprocity in various
forms of random enigma
Michael Berton is the author of a collection of poems titled Man! You Script The Mic. (New Mitote Press). He has had poems published in Venereal Kittens, And/Or, REM Magazine, Volt, Indefinite Space, Cormac McCarthy's Dead Typewriter, Snow Monkey, Gertrude and others. He lives in Portland, OR.
0 Comments:
Post a Comment
<< Home