Marcia Arrieta
eclipse
eclipse anguish
into a dream
where a cow in the middle of the road is evaded
& another
direction taken
interweave
the blue lamp parallel lines cut pieces
the old man in the red sweater walks singing
look for a lost city
the star is a geography
correspondence a necessity
I speak to the pine
snowflakes reveal patterns
I contemplate the autonomous
I close the book
sunlight like the arbitrary
Concerning the Spiritual in Art—Kandinsky
Writing/Talks—Perelman
where blue & yellow merge
the harmony relentless
concerning
concerning the real the spiritual origami cranes & warriors—translating the sequence of development searching the possible the cryptic beneath paint an owl on the branch a book in the hand counterpoint symphony
resemblance
a feather in spring
clockwise anticlockwise
the heroine observes the paintings
the wave is composed as a tree
after reading Guy R. Beining’s heisting hesse
to sculpt
the unknown
the minimal
to counterbalance
another day
texture
stones/light
sky/clouds
the sea
stenciled
between
doors
Continuing to tread water, Marcia Arrieta finds inspiration in currently reading The Surreal Life of Leonora Carrington, To the Lighthouse (every summer), Esteban Vicente, The Oxford Book of Latin American Poetry, and The Illuminated Life of Maud Lewis.
She edits and publishes Indefinite Space.
previous page contents next page
eclipse
eclipse anguish
into a dream
where a cow in the middle of the road is evaded
& another
direction taken
interweave
the blue lamp parallel lines cut pieces
the old man in the red sweater walks singing
look for a lost city
the star is a geography
correspondence a necessity
I speak to the pine
snowflakes reveal patterns
I contemplate the autonomous
I close the book
sunlight like the arbitrary
Concerning the Spiritual in Art—Kandinsky
Writing/Talks—Perelman
where blue & yellow merge
the harmony relentless
concerning
concerning the real the spiritual origami cranes & warriors—translating the sequence of development searching the possible the cryptic beneath paint an owl on the branch a book in the hand counterpoint symphony
resemblance
a feather in spring
clockwise anticlockwise
the heroine observes the paintings
the wave is composed as a tree
after reading Guy R. Beining’s heisting hesse
to sculpt
the unknown
the minimal
to counterbalance
another day
texture
stones/light
sky/clouds
the sea
stenciled
between
doors
Continuing to tread water, Marcia Arrieta finds inspiration in currently reading The Surreal Life of Leonora Carrington, To the Lighthouse (every summer), Esteban Vicente, The Oxford Book of Latin American Poetry, and The Illuminated Life of Maud Lewis.
She edits and publishes Indefinite Space.
1 Comments:
these are cool
that's what we think
Post a Comment
<< Home