familiar lightning
familiar
pinchers,
(U-N)written
bean
beaten
been
light
ten stain,
steps
was was was was was was
was s wa s w aw s w sswa
e
e
e
e e
e e
e
e
e e e
e
e e
e
e ee e ee e
eee e
e
e ee
e e e
e e e ee
ee
e
e
ee
e
soda lens theorries themes
themmies them
cat log hand cat
log
handcat
loghand
longhand
cat scanned
point pint, including light
lilight lfghiltfggftillifgilti gf
logical expressionist century
subject to its own thoughts
p pm maopmomn oaoi nionie
map in the afternoon, oasis
port, bent
useful
strips
used t o
t o
soften the cosmos
familiar September
addled by the sun
newspaper
images
imagine
bubbles,
quibbles
with the comic strips
"thoughts"
on
skates
ioihNIuoihNIuguU
IhuIHuiguUIhuIHu
iiioihNIuguUIhuIH
uioihNIuguUIhuIH
five years Reynolds Wrap greensheetmusic gamete
single-spaced
hazard
hazard dust
enter the house kiln
burning editorial salt
HKLIeGJVykjIUyUuyiYuydjhHJHuuyu
HKLIeHKLIeGJVykjIUyUuyiYuydjhHJ
HuuyuGJVykjIUHKLIeGJVHKLIeGJV
ykjIUyUuyiYuydjhHJHuuyuykjIUyUuyi
YuydjhHJHuuyuyUuyiYuydjhHJHuuyu
subsequent
mumbler of the
goot
quit
if the
coriander
(aspic he,)
"liklihood"
JLKuIYwOPPOkLK:L;"oijIHuio
in various ways,
the light is burned
ally,
comet (subjective)
decades fiber raga
i'm either eaten, or i'm not
the flo
or
is either rott
en
or
it is not
such as depends,
to bounce-off
holy aleph-Iroquois
reflection in the mudfield mirror
dotted chemicals beam cribs
in variable circles
"sausage-filament"
,,
firmament
"
knKJnUJnuNUYUYGTY
DDFipoioIiojoiJjijjoioiI
OHyuguknot knit June
OoiuoIiouuoiuoiUIOuoiooOOoOI
OoiuOoiuoIiouuoiuoiUIOuoiooO
O
oOIoIiouuOoiuoIiouuOoiuoIiouuo
iuoiUIOuoiooOOoOIoiuoiUIOu
oiooOOoOIoiuoiUIOuoiooOOoOI
was reprinted shoes,
prophetic
Chicago
longtime
architectural succotash
arc era radial pronoun
annotations in likewise Hawaii
nor solely
elbows
arranged in chairs
patterns on torso/linoleum //-tooled
the long twentieth century
a long wait
the long ball
long tall
long time
the long nineteen sixties
long jump
a long walk
longhouse
the longboats
longing
geometric circles, circling
the small scale resemblance
of a snail
up his sleeve, like a stone
mold it, but
circular strangers
("they look familiar")
highly industrial rectangles
"the highly rectangular industries
have a story to tell"
along, frequently
they tie
into the tooled
into the long
angles
they into them
returning -- What?
respectfully,
to the English Motel,
floor wages
-- outdoors,
with the Romantic
lions,
sticks, longerally
longer, generally,
than rocks
longer allies.
mentions terrain.
ing. walks.
sticks gently
long.
walking, longing.
carved. marks
engaged in
the light. the
light
ing.
like archaic
carvings
on sticks &
stones.
lightning.
that's how it starts. tape
needs closing
episode theatric, percolates.
evidence is arranged
into the fumes
of its own history.
prime his, its
chart depends, bent styles
became the day.
during morse code loot lotus
lit lottery and
lost us,
became chart prime
of its own fumes.
evidence is arranged
as episodic closure.
nO u ujboU
j h UI IU
[io i I IU
kjJuy i n iui r
r
re ijiu hiU hi
s
fd
f
ref
p
ne
and ne
clo
episode
theatric
evider
arp
his e
his eye
its s
s
C
th
da
couth-da
couth da day
Abraham Diane Morris, 1986
Michael Louise Fred, 1970
microtonal extensions
Th
Ti
Mus
edut
1999
Music on a
(1969)
Sma
Syste
Cl
19
small systemic church of the rarefied serpent
S
tripar
timpan
timparn
sour acoustic medallion
1977-powered;
This U and performa electric
the thin shirt, a personal pronoun.
for voice at waves, 1962.
sustained
relations
typically
composing
them.
02.13.2018
Jim Leftwich is a poet and essayist who lives in Roanoke, VA, USA. he is the author of Six Months Aint No Sentence Books 1 -187 (Differx Hosting@Box, 2011 - 2016), and three volumes of essays entitled Rascible & Kempt Vols. 1 - 3 (Luna Bisonte Prods, 2016-2017). Since 2008 he has been involved in organizing and/or documenting mail art, sound poetry, visual poetry and noise events in Roanoke.
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