Jill Jones
Jill Jones has published eleven books of poetry, and a number of chapbooks. Recent books include Viva the Real (UQP), Brink (Five Islands), and Breaking the Days (Whitmore Press). She lives in Adelaide where she is co-publisher, with Alison Flett, of Little Windows Press.
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Difficult Poem (yeah, like a lucid tiff fit of plum dolt cuff epic mould cute plod dulcet mop coiffed lump polemic fit demotic puff muffled tic code flip deficit flop melodic if cleft podium iced muff tumid elf difficult mope lucid top One City Is (space mix) One city is another city I clothe streets pluck luxury One city is green and blue each word a stitch one city and yellow arpeggios seams heels dreams it all goes around (and around) the cadence adjusts each city late at night I dress like the moon that meddle I dress like the sun arrogant teasing I fumble with chambers I play all the organs I failed the room I repeal blush There are roads throughout needless figments (figments figments) I was born in the afternoon chafe at fashion fuss fragments in my homely head One City Is Another (dream radio remix) I was born in the afternoon I wake up in fragments in my homely forehead I still chafe at fashion I dress like the sun arrogantly and teasingly even in embrace I fumble with chambers I dress like the moon around that satin breeze Dreams are a meddle Inside me a cadence seams One city is green and blue each word is a stitch One city is another city I am clothed in all of them One City Is (alt space mix) pluck each word along my indolent sinew this gown this shirt this glove it all may turn around cadence drapes, it adjusts around that satin in the breeze in dreams that meddle even the embraces I failed at in the room paint them cover them blushes their needless opera everything’s a terrible plan recordless trance I wake up in fragments one city another The Light of the Plants that are Growing (a cento) I am a reed. My river waits reply. An old shell singing. I never yield but wait. Across the red sky two birds flying. Little voices of the air. A ribbon at a time. Ways one could be learning to use in being gay. I whirl like leaves in roaring wind. The blood is listening in my frame. The skirt. And water. You mean ocean water. Not exactly an ocean a sea. A success. The tawny sweetwinged thing. Yes we see it every night near the hills. This is so natural. Birds do it. We do not know their name. I held her hand the tighter. Shadows hold their breath. With what. With what I said.
[Phrases/lines from Emily Dickinson, Nos. 14, 72, 162, 320; Katherine Mansfield, ‘Now I am a Plant, a Weed’, ‘Across the Red Sky’, ‘Voices of the Air’; H.D., ‘She Contrasts With Herself Hippolyta’; Gertrude Stein, ‘Lifting Belly’, as well as poem-versions of Sappho by Percy Bysshe Shelley, ‘To Constantia, Singing’; Alfred Tennyson, ‘Fatima’; Algernon Swinburne, ‘Songs of the Springtides’; and Elizabeth Barrett Browning, ‘Song of the Rose’, words from this last forming the poem’s title.]
Jill Jones has published eleven books of poetry, and a number of chapbooks. Recent books include Viva the Real (UQP), Brink (Five Islands), and Breaking the Days (Whitmore Press). She lives in Adelaide where she is co-publisher, with Alison Flett, of Little Windows Press.
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