Mary Kasimor
Mary Kasimor has been writing poetry for many years. Her poetry has been published in many journals, including Word For/Word, Touch the Donkey, Posit, Human Repair Kit, Arteidolia (collaboration with Susan Lewis), and Otoliths. Her recent poetry collections are The Landfill Dancers (BlazeVOX Books 2014), Saint Pink (Moria Books 2015), The Prometheus Collage (Locofo Press 2017), and Nature Store (Dancing Girl Press 2017). She has a new book out published by BlazeVOX Books 2019, entitled Drink Me and a chapbook published by above/ground press, entitled disrobing iris 2019. She has also been a reviewer of many small press poetry collections.
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pigeon sound i screamed and all my emptiness fell out of me the sound never ended we never chased it away lonely with left hands under bridges reality spreads other diseases we film the industries choosing birthday cake for all over and over russia and mexico foretelling the words intermingling i was once a stone the first time i was pounded shaped into marble i was only the surface sinking into the water the cats were birthed into 12 lives you wanted a beginning i wanted an ending even when pigeons flew over me i was camped in my head i imagined life with fire the night sky lengthened our way out we drew ourselves in the dirt as fallen laws made human the stories of infected hair (poisoned tongues) vi the counting of money becomes a ritual like adjusting roses after they have died i sit in my room painting molecules and what I know is anxious it was clearly not my intent to live in the light with small droplets of death wrapped up in protective voices you sit next to us practicing yourselves you tell us we aren’t alone in the noise the child speaks into mirrors i am there sinking into its shape she has promised to be good but she does not qualify for goodness after the news became superman it was an anxious ride to another place after the eggs collapsed tossed into burial plots after one hand in mourning from china the screamed departure of life prolonging the patterns on the wall in small smiles i don’t look at the obvious i want you to hide me in our shadows in our trembling breaking glass i slid myself between the layers of lies i am vast and known for nothing the details are dancing angels at the point of leaving it is the clothes that never fit my exacting mistakes i fall apart my trembling i broke apart from china the children frightened i wove designs inside their faces i filled them with my lifespan once upon a time today empties your skin trading pleasure stitched us together it was not a formula black rain owls contain molecules night shudders child in the air angles dangle details embalming purple dye ink spits tone dead volcanoes amusing the sky for a long drive limited shadows now trending but wolves never ate almonds far away from home clouds starve in boxes chased into department stores hats and coats stolen attention happy trails designed your face pinched comfort black rain walking into fossils with meat family roots gathering toes wandering graters survey touching novels voiced black rain city captures pouring vinegar rain waits daffodils next to crime raining pours the wind
Mary Kasimor has been writing poetry for many years. Her poetry has been published in many journals, including Word For/Word, Touch the Donkey, Posit, Human Repair Kit, Arteidolia (collaboration with Susan Lewis), and Otoliths. Her recent poetry collections are The Landfill Dancers (BlazeVOX Books 2014), Saint Pink (Moria Books 2015), The Prometheus Collage (Locofo Press 2017), and Nature Store (Dancing Girl Press 2017). She has a new book out published by BlazeVOX Books 2019, entitled Drink Me and a chapbook published by above/ground press, entitled disrobing iris 2019. She has also been a reviewer of many small press poetry collections.
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