Mary Kasimor
Mary Kasimor has been writing poetry for many years. Her poetry has been published in many journals, including Word For/Word, Touch the Donkey, Posit, Human Repair Kit, Arteidolia (collaboration with Susan Lewis), and Otoliths. Her recent poetry collections are The Landfill Dancers (BlazeVOX Books 2014), Saint Pink (Moria Books 2015), The Prometheus Collage (Locofo Press 2017), and Nature Store (Dancing Girl Press 2017). She has a new book out published by BlazeVOX Books 2019, entitled Drink Me and a chapbook published by above/ground press, entitled disrobing iris 2019. She has also been a reviewer of many small press poetry collections.
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pigeon sound
i screamed and all my emptiness
fell out of me
the sound never ended
we never chased it away
lonely with left hands
under bridges
reality spreads other diseases
we film the industries
choosing birthday cake for all
over and over
russia and mexico foretelling
the words intermingling
i was once a stone
the first time i was pounded
shaped into marble
i was only the surface
sinking into the water
the cats were birthed into 12 lives
you wanted a beginning
i wanted an ending
even when pigeons
flew over me
i was camped in my head
i imagined life with fire
the night sky lengthened our way out
we drew ourselves in the dirt
as fallen laws made human the stories
of infected hair
(poisoned tongues)
vi
the counting of money becomes a ritual
like adjusting roses after they have died
i sit in my room painting
molecules
and what I know is anxious
it was clearly not my intent
to live in the light with small droplets
of death
wrapped up in protective voices
you sit next to us practicing
yourselves
you tell us we aren’t alone in the noise
the child speaks into mirrors
i am there sinking into its shape
she has promised to be good
but she does not qualify for goodness
after the news became superman
it was an anxious ride to another place
after the eggs collapsed
tossed into burial plots
after one hand in mourning
from china
the screamed departure of life
prolonging the patterns on the wall
in small smiles
i don’t look at the obvious
i want you to hide me
in our shadows
in our trembling breaking glass
i slid myself between the layers of lies
i am vast and known for nothing
the details are dancing angels
at the point of leaving
it is the clothes that never fit
my exacting mistakes
i fall apart my trembling
i broke apart from china
the children frightened
i wove designs inside their faces
i filled them with my lifespan
once upon a time
today empties your skin
trading pleasure stitched us together
it was not a formula
black rain
owls contain molecules night shudders
child in the air angles dangle details
embalming purple dye ink spits tone dead
volcanoes amusing the sky
for a long drive
limited shadows now trending
but wolves never ate
almonds far away from home
clouds starve in boxes
chased into department stores
hats and coats stolen attention
happy trails designed your face
pinched comfort black rain
walking into fossils
with meat family roots gathering
toes wandering
graters survey touching novels
voiced black rain
city captures pouring vinegar
rain waits daffodils
next to crime
raining pours the wind
Mary Kasimor has been writing poetry for many years. Her poetry has been published in many journals, including Word For/Word, Touch the Donkey, Posit, Human Repair Kit, Arteidolia (collaboration with Susan Lewis), and Otoliths. Her recent poetry collections are The Landfill Dancers (BlazeVOX Books 2014), Saint Pink (Moria Books 2015), The Prometheus Collage (Locofo Press 2017), and Nature Store (Dancing Girl Press 2017). She has a new book out published by BlazeVOX Books 2019, entitled Drink Me and a chapbook published by above/ground press, entitled disrobing iris 2019. She has also been a reviewer of many small press poetry collections.
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