Douglas Barbour & Sheila E. Murphy
Continuations CXXIII:
folds of time of space
          of cloth of representation
of what might (not) be said
          the wor(l)d is too much
with us as self defined defrocked
          too worn to warn or warm
much of the time
          replication changes
how this butter hue means
          summer mind
framed upon pale          surface
          shifting          speed of sight
a light step
ping pang of move
          meant to get ahead of
sound barrier to upward
          mobility nobility
          s quid pro quo negates
balance           scaled to foster
          equilibrium inner earful
of the ward          the always
          upbeat alderman
          far from elders
          cast aside
a song as a lament
          for innocence as always
                    lost those eyes
peering disappearing
          robes of justice re(a)d
                    in truth and clause
in a sense, peers
          eye the robes of justice
with cause          in all ways
          luster is lost (with) cause
                    while nations have their way
meaning their ways and means
mean ways mean ways
          expropriate means
                    to weigh the odds
against whom do such ways mean
          so little so much depends
                    upon another red flag
fiddling while the latch
          reveals twin pendants
                    for the red climb
toward a faraway
          meandering retreat
                    from many ways
of seeing rad
          a call out to whom
ever more coos never
          mort all hearts worn
          on funny hats
                    hitting out at
lunatic fringe ever
          artful addled
                    ad infinitum
treat with cooing sounds
          the hit recordings
                    called out of a hat
a house a name the same
          damn thing fantasized
                    all over the world
that if stiff so proud
          of other(worldli)ness
                    faith in things unseen
loud and not loud
          orderly by standards
                    the occasional tiff
and selfsame          manner of speaking
dry with a twist          the world with
          and so forth(coming)
in a surge an urge un
          leashed lashed
to the flag pole
          poll upon poll a
          greed aggrieved
                    that loss (of face (farce
ashen faces turn warm
          at the reading of
glad eyes less urgent
          day to formulate
a whisper of relief
          in hinging the polarities
oppositions so apposite
          seldom arrive so beholden
as someone might argue
          any lessons therein
          could only be taught
                    to minds willing
in the solarium
          sons fight lessons
                    that hold them
seldom in position
          to retrieve what first
                    appeared mere poses
of questions ever unasked
          of elders a relative
                    loss less
sinned against than signing
          screwed-up contracts
                    for full contact sport
to license blazing forward
          friction against floorboards
                    ensigns under duress
rue the day comparing
          one to next steps
                    in that habitual quest
a run in to what fences
          fancy takes control
as more metaphysical than
          metaphor met a
          foreign concept
                    conscript to what war
antsy little forest fests
          reign still          with scepter
to lean worthy windscapes
          planted          half angled to
downed fences
          and lantana
bright moments or fright moments
flower into sour mo(u)rning
          daylight crashes into
muddied fields torn (or worn
down time long time
          no see(d)
despite memoranda of understanding
          one heeds as if
                    religiously all flabbergast
          gone tame now          the work of
wry momentum
          taking us all too
sarcastically let words fall
          where they say
                    more than the(y) mean
all balance gone maybe
          done to a turn
                    goat shoved (far) away
          feeling the oats more than
a will to change
                    before the urn takes
          a powder          with the real
                    overshadowing
          cloven ritual of lance
that bird takes flight (fright
          from hill or plain
all caught in stop-time
          ‘forever’ never
          quite lost in
                    temples reforested
forensic efforts leave out
          slim snarls on hillside
                    tight maneuvers planned
before slivers are
          caught between
                    perception and perceived
dig in to dig out
          the news as fashioned for
there might even be
          an app for that
                    maneuvered manure
          evidence piled high
crash test          in crash course
          near crèche and violations
                    the oeuvre versus          the work
          complained of
wonkety wonkly post views though
          tidy tubes of glass
remains retains an odor of
          the lab oratory
                    just wont cut it
loose or lose all reputation
          as in initials signifying
                    or just signing off
shall purify          by way of
          ardor
                    every story rounded
off to its          near nouns
          revealed upon the tables
          in the towns
hip a border phenomenon
all walls fenced in
          neighborly like
or lack as the new abject
          shunned shamed
          shut right up
like the shunt in the other
          wise well functioning
                    body           well
he used to be          a stunner          not this
          abject fence dwelling
prior painter yelling out          shut up
Douglas Barbour continues, happily retired, to live in Edmonton, Alberta. His latest book is Listen. If (University of Alberta Press 2017). his occasional reviews (mostly of poetry) appear in Eclectic Ruckus (https://eclecticruckus.wordpress.com/).
Sheila E. Murphy is an American poet who has been writing and publishing actively since 1978. Recently released from Luna Bisonte Prods in 2020 is Golden Milk. Murphy's book titled Reporting Live from You Know Where (2018) won the Hay(na)Ku Poetry Book Prize Competition from Meritage Press (U.S.A.) and xPress(ed) (Finland). That same year, Broken Sleep Books brought out the book As If To Tempt the Diatonic Marvel from the Ivory. Luna Bisonte Prods published Underscore (2018), featuring a collaborative visual book by K.S. Ernst and Sheila E. Murphy. Murphy is the recipient of the Gertrude Stein Award for her book Letters to Unfinished J. (Green Integer Press, 2003). Murphy is known for working in forms including such as the ghazal, haibun, and pantoum in her individual writing. As an active collaborator, she has worked with Douglas Barbour on an extended poem called Continuations. Murphy’s visual work, both individual and collaborative, is shown in galleries and in private collections. Initially educated in instrumental and vocal music, Murphy is associated with music in poetry. She earns her living as an organizational consultant, professor, and researcher and holds the PhD degree. She has lived in Phoenix, Arizona throughout her adult life.
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