Douglas Barbour & Sheila E. Murphy
Continuations CXXIII:
folds of time of space
of cloth of representation
of what might (not) be said
the wor(l)d is too much
with us as self defined defrocked
too worn to warn or warm
much of the time
replication changes
how this butter hue means
summer mind
framed upon pale surface
shifting speed of sight
a light step
ping pang of move
meant to get ahead of
sound barrier to upward
mobility nobility
s quid pro quo negates
balance scaled to foster
equilibrium inner earful
of the ward the always
upbeat alderman
far from elders
cast aside
a song as a lament
for innocence as always
lost those eyes
peering disappearing
robes of justice re(a)d
in truth and clause
in a sense, peers
eye the robes of justice
with cause in all ways
luster is lost (with) cause
while nations have their way
meaning their ways and means
mean ways mean ways
expropriate means
to weigh the odds
against whom do such ways mean
so little so much depends
upon another red flag
fiddling while the latch
reveals twin pendants
for the red climb
toward a faraway
meandering retreat
from many ways
of seeing rad
a call out to whom
ever more coos never
mort all hearts worn
on funny hats
hitting out at
lunatic fringe ever
artful addled
ad infinitum
treat with cooing sounds
the hit recordings
called out of a hat
a house a name the same
damn thing fantasized
all over the world
that if stiff so proud
of other(worldli)ness
faith in things unseen
loud and not loud
orderly by standards
the occasional tiff
and selfsame manner of speaking
dry with a twist the world with
and so forth(coming)
in a surge an urge un
leashed lashed
to the flag pole
poll upon poll a
greed aggrieved
that loss (of face (farce
ashen faces turn warm
at the reading of
glad eyes less urgent
day to formulate
a whisper of relief
in hinging the polarities
oppositions so apposite
seldom arrive so beholden
as someone might argue
any lessons therein
could only be taught
to minds willing
in the solarium
sons fight lessons
that hold them
seldom in position
to retrieve what first
appeared mere poses
of questions ever unasked
of elders a relative
loss less
sinned against than signing
screwed-up contracts
for full contact sport
to license blazing forward
friction against floorboards
ensigns under duress
rue the day comparing
one to next steps
in that habitual quest
a run in to what fences
fancy takes control
as more metaphysical than
metaphor met a
foreign concept
conscript to what war
antsy little forest fests
reign still with scepter
to lean worthy windscapes
planted half angled to
downed fences
and lantana
bright moments or fright moments
flower into sour mo(u)rning
daylight crashes into
muddied fields torn (or worn
down time long time
no see(d)
despite memoranda of understanding
one heeds as if
religiously all flabbergast
gone tame now the work of
wry momentum
taking us all too
sarcastically let words fall
where they say
more than the(y) mean
all balance gone maybe
done to a turn
goat shoved (far) away
feeling the oats more than
a will to change
before the urn takes
a powder with the real
overshadowing
cloven ritual of lance
that bird takes flight (fright
from hill or plain
all caught in stop-time
‘forever’ never
quite lost in
temples reforested
forensic efforts leave out
slim snarls on hillside
tight maneuvers planned
before slivers are
caught between
perception and perceived
dig in to dig out
the news as fashioned for
there might even be
an app for that
maneuvered manure
evidence piled high
crash test in crash course
near crèche and violations
the oeuvre versus the work
complained of
wonkety wonkly post views though
tidy tubes of glass
remains retains an odor of
the lab oratory
just wont cut it
loose or lose all reputation
as in initials signifying
or just signing off
shall purify by way of
ardor
every story rounded
off to its near nouns
revealed upon the tables
in the towns
hip a border phenomenon
all walls fenced in
neighborly like
or lack as the new abject
shunned shamed
shut right up
like the shunt in the other
wise well functioning
body well
he used to be a stunner not this
abject fence dwelling
prior painter yelling out shut up
Douglas Barbour continues, happily retired, to live in Edmonton, Alberta. His latest book is Listen. If (University of Alberta Press 2017). his occasional reviews (mostly of poetry) appear in Eclectic Ruckus (https://eclecticruckus.wordpress.com/).
Sheila E. Murphy is an American poet who has been writing and publishing actively since 1978. Recently released from Luna Bisonte Prods in 2020 is Golden Milk. Murphy's book titled Reporting Live from You Know Where (2018) won the Hay(na)Ku Poetry Book Prize Competition from Meritage Press (U.S.A.) and xPress(ed) (Finland). That same year, Broken Sleep Books brought out the book As If To Tempt the Diatonic Marvel from the Ivory. Luna Bisonte Prods published Underscore (2018), featuring a collaborative visual book by K.S. Ernst and Sheila E. Murphy. Murphy is the recipient of the Gertrude Stein Award for her book Letters to Unfinished J. (Green Integer Press, 2003). Murphy is known for working in forms including such as the ghazal, haibun, and pantoum in her individual writing. As an active collaborator, she has worked with Douglas Barbour on an extended poem called Continuations. Murphy’s visual work, both individual and collaborative, is shown in galleries and in private collections. Initially educated in instrumental and vocal music, Murphy is associated with music in poetry. She earns her living as an organizational consultant, professor, and researcher and holds the PhD degree. She has lived in Phoenix, Arizona throughout her adult life.
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