Doug Jones
from Posts
11/4/18
“Old pine forest, formless life. Who read yr face, trees?
What did that face mean? 1st image: in light, 2nd, found
something like you, autonomous, to a map. Slavish.
Short lived - + a threat: ghost cracked image of water,
trees, something majestic, with worlds. When should it
die? True representation, a nature, which you must
understand – if you are ever to understand hell. Tree
colour, the wrath”
18/4/18
“Anthony + Cleopatra, the selling face of bounce – fatso
death, toys. As usual Anthony’s got a big smile on his
face. He hawks, shifts his weight over the dense
coloured marking of Patra’s course. Looking back on it
later, it’s hard to decide who, ultimately, destroyed the
timeless product. Small jerks forward over the
ubiquitous surface of hallucinated idolatry. Cleopatra a
white lead, bounce”
25/4/18
“What a beautiful day, in the catch. Demeter’s from hell +
streets begging, burgeoning with independent women,
springs dark clothes – face made of oaks far bigger than
their heads – extraordinary forest grown up. Seriousness
of ancient seniority runs of, emerges of a sun, old light –
comparisons every gas. Never far off a carpet of new
skin or homes. Demeter, his a picture of fire”
2/5/18
“Didn’t see my ambassadors coming, by post, or online,
for they intended a reality not of a contracted issue.
Exhausted, sombre, their old-fashioned diplomacy stood
at the gate of my room. Wounds got arranged, thus,
overseas - + shipped home. Notes handled with grooves
and tropes, filled the office. Strange disjunction –
between the donor the ambassadors said, and the
dressings I couldn’t describe”
13/6/18
“Iron chef, fall down with a bad head – brings to sudden
end battle against his own supper – vs a pig – his veg.
Was the chef chief vector of this interrelation? In the
found nature of their correspondence? Certainly, he was
more alive than ever – brain broke, bled out – lost in
consciousness to resorb a spared percept of food. New
cells, who are they now – to challenge his sleep? gone
quiet contestant”
4/7/18
“You’re either alive or you’re not – bean + that’s what’s
going to happen, yet no binary’s completely true or
there’d never be a breeder. Outliers give the
governance to a falsehood – for it’s there, in the gut,
where dead’s reimagined by enzyme action of ?slave –
money, being, things unknown. Cryptogenic, in wonder,
is chyme death or life.. Roll out the stone muscle, man’s
born. Day as a wasp”
11/7/18
“NHS at 72. International money the tender plants, green
hounds tongue – is a poppy. Associated with ex-cons,
accommodated on a water meadow back. Were long
days – looking for Morgan Stanley in the interrelation of
living things. Many objects have breath, but none of
them are real – these are the skyscrapers. Found a grey
dagger, firm & nobody. Eternal plant – laid down at J.P.
Morgan’s bed”
18/7/18
“About the drowning. Dad said he saw the girl in trouble,
but thought it was a swan at the time. Black skin –
clothes inside out, collapses in water still. Where’s her
cottons now? what coffees bought for her tonight, +
teas? Which fundamental component was her agony?
Dress was from a sail boat, with not a driving part. Its
sum, sum, never a machine, a slave ship, deep physical
composite – no charge”
25/7/18
“Walking down a road, saw this coat on the floor +
thought – well that’s not much use to him now, not as a
coat. Purified it in fire of course + the poor person inside
– what a song + dance. Now I do nothing. He was in my
room last week, sat very quiet, still. In factory
tenements, convulsing hands, keened desire, these are
the acts. But please, this infant’s hungry, + she needs to
have some milk”
1/8/18
“New mother comes in, burnt out, face, says. Have given
birth to a mute child, now I’m placed inside. Who
brought him in the world? No harmony at the gates of
milk, in immanence. Spend £251 (child element) against
charms, speeches who corrupt his body, that cause him
pain. Maybe should’ve used it to buy back land on he
was reckoned > for I love him. Where’ll I set him down
to talk?”
8/8/18
“Good people. If war is it muffins, mutton + biscuits. THE
SALT LICKS, nutrition fresh from frozen big walls.
Clay’s got most goodness – like that forever, trace
elements don’t suffer the sleepers at all. Reactive ship
protein, THE NEW HOUSE FOOD - magnesium stops
hungry, Crown Farm workers get through. Buffalo /
neighbour crowd round the bridegroom – feeling the
mother, a rigging. Intensely..”
15/8/18
“Howcome whenever you meet with authority you
leave with nothing, satan. With yr play colt American-Indian-
boy – scout rules. Inclothes, in fancy dance round the
lower part of hell – trad a £ spear at devils who crowd
the ground. Is that what you want, chief? Be embraced
by hell, agitated – consumed? Or let back into white
camp now? But no, you can’t have more sports, silly,
that’s gone”
22/8/18
“Stroked my arm, satan, gently, with some affection.
We’d just met + you were old, 90, so how could you be
coming on? + aren’t you tired? Is very hot in hell, will all
white devils buzzing, catcalling, wanting you to wash
them out their crimes. – so that when we met yr
extermination wouldn’t be about them, only. A long
burning darkness satan, with you. Promise to sweep the
world of contact”
29/8/18
“Hell, staggering with the One devil – damned, held
destructive in the RTA – smashing off the page a God,
the frightened child who’s fed on KFC, is – what eternal
creation was, hammered on its face a cheap, missing
man. The made redemption, life? – on slip roads,
natures of a chicken act of work, a 1000 motors fields –
child. (was never put part of that car) is an adult woman
– her food + soul cast”
5/9/18
“Heaven that’s existed for all eternity + so has no idea of
help – darkness/ignorance beneath it. A love divine –
made to trap evil, nothing in them will die. Jesus
struggling with his food problem – sometimes as a boy.
Or a girl – the archetypal perfect one – 1st seeds, small
cuts to the arm. Form thoughts. How to go + be? A tree
with a bench by it – miracles in His forfeiture. Jesus is
like this bull”
13/8/20
“Moon crater. One day I noticed that my patients with a history of
domestic violence later received radical hysterectomies. A workday,
you drive home, see people walking their dogs, talking kindly to them,
re charmed, their faded grace. Pet pictures, cat picture cards,
memorabilia of good animals, kitten in a boot, things for which you
became clear, get behind your ground glass chair, the screen”
20/8/20
“In great confusion + the moon, look up. In the morning the sun wins, a
thin clever victory, but there’s nothing to hold, in the light of the day
my no ink ID is a trick. A cheat. sky, duty sunlight giving state
appeared, one can almost touch.. There’s rage + love + sport twice,
the greatest chimera of them all. Chasing the reflection of the moon,
the investigation of the moon money, the lungs’ unheated lake”
27/8/20
“Looks like patient x’s mind has exhausted him. Coughing for the
underdog, from prison, a clear white water in the ruin of the town.
Nature is this. As water poured on x’s body, over a black bough in
venality, rage – for as long as we can stand looking. Evil gets back
from the woods to talk to our law, the doctors and him. This fool of a
pt, all shouty – the chips of a tree – sentences in nature. Calm him”
3/9/20
“I’ve never been so happy the new mother said. Earlier, walking the
strip, Frances pointed out a giant toy windmill put in front a Georgian
house. How ugly. But are these the gradients, key ruptures in space,
moments, that aggregate + bind dear child. Vivify the tough cell. Who
can be topped – look – where the baby is. First come out to as yet
neutral frame? Harmony. In front the mother only power”
Doug Jones writes: "I am a doctor in Yarmouth, a very poor costal town in England. I have set myself the task of writing a short poem every week - about that really. The later poems in the section I have sent are my very burnt-out responses to working through, in rocky PPE, the coronavirus blankness."Prior to being a doctor, I worked as a nurse in east London and completed a MPhil on the anarchist poet Bill Griffiths. While doing that I managed to fall in with Bob Cobbing's Writers Forum group, which then contained Sean Bonney and Jeff Hilson among a lot of others. Not surprisingly, it was a huge influence.
"Three sections of these posts have been published by Veer, a fourth by Salo Press. Sections, before collection, have also appeared in the Chicago Review, datableed, VLAK, Litmus, tentacular, BlazeVOX as well as several other places."
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