Thomas Fink & Maya D. Mason from CORDIALLY INVITED 8 Our beloved pal was a fucking slob, so dress accordingly. The world has already met its bastard quota; let’s get hitched. As dopefiends go, he was a rabidly traditional one, so please attire yourself funereally. Our daughter having announced her engagement, kindly respect our privacy during this trying eternity. Mercifully, the casket will be shut, as our dear friend was less than comely even while alive. A patch of years so curiously inhabited deserves not to be forgotten immediately. I can’t imagine you laying a claim to any other. Why the hell did our publicist display the chutzpah to fondle a TV in the tub? With our mutual adoration of horror flicks, we should craft our scary ending down the aisle. No one loved death and dying more than our favorite thanatologist. We know she’d root for every soul to achieve their misery potential. I’d rather gag on your bas cuisine than endure a daily repast at Four Seasons. That local minister perished yesterday in the thick of elective surgery for mouth widening. Let us mourn. . . accordingly, eh? Will you do me the honor of scowling at me until I dissolve. 9 Yes, this is your spouse’s wake, but I always found you riveting.Thomas Fink has published 11 books of poetry— most recently A Pageant for Every Addiction (Marsh Hawk P, 2020), written collaboratively with Maya D. Mason, Hedge Fund Certainty (Meritage P and i.e. P, 2019) and Selected Poems & Poetic Series (Marsh Hawk P, 2016)— as well as two books of criticism, and three edited anthologies. His work appeared in Best American Poetry 2007. His paintings hang in various collections. Fink is Professor of English at CUNY-LaGuardia.
Maya D. Mason, co-author with Thomas Fink of Autopsy Turvy (Meritage Press, 2010) and A Pageant for Every Addiction (Marsh Hawk P, 2020) has published in Otoliths, BlazeVox, ditch, EOAGH, Helios Mss, Marsh Hawk Review, Offcourse, and Set. She teaches fine art, and her artwork is featured in various collections in New York and Europe.
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