Adam Fieled The Witches of South Philadelphia I. If you ask the Devil she worships if he is static or dynamic, a lightning bolt or a clod, you’d be stunned to find him turning his tools towards the erection of a greater God. She’s great with drinks, smokes, what’s green. Yet, as I was between engagements, how it was I fell asleep I don’t know. Her hands seemed in the cake somehow, Carpenter Street laws imposing three twists of her wrists, words uttered backwards like a rogue monk might’ve in 1311, ops number one with an arrow. Birds shot off the sill, mild November night, kinds of confetti falling over me as the bloody corpse I was— II. “You don’t question Mother Nature. What I have between my legs is among the stars, out into space. I carry Nature around and men can never really know what Nature is. What I’m picking out of the air now is who you are. So while we go through these things, don’t question, OK? Just understand that what I’m doing is an expression of myself as a Goddess, and as the Goddess I am.” III. Dagger’s flick into, under my skin, droplets into the silver chalice, I could feel myself almost swoon, fade into darkness. She was quizzically writing a seal onto parchment: here we stood, man & wife, not forgetting what it meant that this started in a classroom, for Christ’s sake, us opening our books onto Blake, & the other she-devil laughs, sits watching me too: two girls, two knives. “Alright, cast the bloody circle, love, but as you’re off with your skirt please remember to be gentle with your bit of Nature, & don’t be hard on my knees.” It moved in on us, her personal Devil, lightning bolted our asses into greenness, festooned the room with forwards noise; she moved in on me, her Goddess- assistant, licked clean powdered toys, held onto me as magnet to metal. 5:30 am: I stepped out of the circle as she slept, onto the balcony, darkness on Carpenter conferring benediction, light as it crept hitting me inwards, black turning lavender. Taking up one of her notebooks, I ripped out a sheet of paper, composed a single stanza in terse couplets— who the Goddess was, what she was without a God, or with, in the drunkenness of marriage to a man, & why. IV. So, through the Devil’d God, the she-Devil Goddess prevailed into union with the poet. What he learned in the South Philly flat: levels of calm around good, evil, how to hold it. The breakfast feast was more than waffles; a green apple, cut open, exposed its raw life; just as the sunrise exposed what was lawful: she’d emerged, forwards, as my natural wife. Adam Fieled is a poet based in Philadelphia. His latest book, The Great Recession, was released as an Argotist Online e-book in 2019.previous page     contents     next page
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