David Jalajel
SONNETS, QASIDAS, ETC…
dlc
exclusively releasing for pc
players left with no good way to play
the highest hyped campaign comes crashing
through the anticipated bottom line
of sight which prophesies hard clarities
to hearts in hands that deftly cut the losses
rendered ever more realistically
portraying how you’d think it couldn’t be
a comedown phased withdrawal recommitting
rebooted features that won’t strike you like
a crashing wave but lift you like the sea
of new downloadables uploading soon
our first-world problems’ blessèd patron saint’s
mood-boosting neuromodulating boon
(i) aspirant
proposals for reform assured they’d will
to form themselves into a formalised
pecking order’s unironic rule
imposes scornful smirks inflame pursed lips
drink in your gaze at their enrubied glassfuls
overbrim with sanctimonious
authority derails your train of thought
you knew the claim that fire’s presaged by smoke
billows acridly through blustered pleas
bequeath you little cause to curry hope
& trust in what could be when hope becomes
hopelessly buttressed by bespoke statistics
make obvious how far they’ll track your failures
& you & yours obligingly despair
(ii) sinecured
precious little thought to whom attention
commands are seldom barked out sternly since
pretensions towards exclusive hierarchies
presume obedience through obligations
colluding with paternal privilege tasks
the favours they’ll have channelled to those who’ll
leave scant trace of coldly indolent
visitations brusquely misdirected
prosperity induced insipid looks
encourage precious little in the way
limpid stares implore prolonged postponements
posthumously upheld to countermand
seditious institutions second-guessing
grandfathered claimants’ contrary demands
pageant
beauty constricts this evening’s frivolous
dresses disturb our tranquil villagers’
rest assured their swank allure entices
louts to saunter down & tromp the floors
them truly gobsmacked with all eyes locked on
lusciously draped embodied scenes of passion
incarnate gods damn righteous disaffection
culminates in climates of dispassioned
longing stares from several postemergent
associated litigations’ woken
tastes provoke a bold forensic science
candidly qualifies each nation’s beauties
displayed with ample modesty before
instinctively deep moral observation
arts-e
between the here & now & there & then
the real rhetorical performance lures
our gaze unveils our plainly mundane faces
our fears provoke dream visions’ blurry focus
narrows our deadened phrasing of ideas
typed in to generate what seeks to show
our subconscious standard to-&-fro
slow shaping semblance our exquisite features
reflect in processing our sympathies
for tragic figures stand by everyone’s
outlandish creativity obscuring
our nascent dread to set in motion where
the random thoughts of all the people are
contained by random laws of what can be
teambuilding
we’re based but these fool trends are catching on
to how uncool rote interviews to screen
through a continuum of fuzzy values
uphold bold platitudes self-righteously
copped from others texted tired memes
as cringe replies reworking worker’s truths
avow to hone one master narrative
controlling for the overstimulating
morning coffee sets the office scene
pans to random checks where every door
bursts open on the basest human motives
hide in the namesake hollow tone we practice
the fumbling steps & inadvertent turns
of corporate newbies with a newbie’s zeal
enrol
personalised professional assistance
eludes these colour-coded ethicists
raise the socially acceptable
compounded costs accruing most of their
own membership’s assured propensity
to deftly network tendered allocations
from several bank accounts for more essential
storefront glass displays the sundry products
purchased daily customers obliged
to justify convenient boundaries
adopted in real time to optimise
the eco-friendly options put on offer
a wider more affordable selection
with standard margins & adjusted rates
coping/
climate change proved so deadly how it bodes
more tallied dead than we’d have killed to know
what we’re to do to reassuage our guilt
in this too murderously clear & most
substantial provocation which the world
bemoans to date who’ve bled to death right under
our surveillance they’ll clear out the flood
path waters flow so we can take that needed
bath in preparation for the stately
pastimes we’ll be wanting to arrange
these ventures’ scale has grown a bit too much
they have disclosed how fully we’ve become
acclimatised to all of what must go
of all our well-deserved entitlements
qasida #52
you presume trellised hillocks serve your visceral instincts –
your arcadian visions turn insipid & mindless:
spent vines, their dead runners spewing brown leaves,
entwine weathered stone satyrs, faceworn & eyeless
you surrender discretion, sage words cease to guide you,
you entomb chiselled epitaphs & revel in silence
then the morning mist lifts, it unsettles the air,
& the wine-starved come dancing to fawn for your guidance
they peel back the clarity from your hearing & sight –
& when the jubilation grips you, you bloom into violence
qasida #53
you’re of no mind your senses can resist decline,
your beleaguered thoughts embodied less & less
as the lights wink out in your old brains, & you
jump on the cathartic trampoline of hopefulness
to bounce back more confounded in your discontent,
playing the near-pensioned civil servant in distress
dutifully fuelled by a caffeine-injected insomnia
with a throng of petitioners pressed against your desk
the afternoon’s washed out, anonymised, betraying
neither your first, nor latest, bout of cognitive regress
qasida #54
leaves & branches are the exiles here
on the paved shoulder of this makeshift lair
such is your dubious dream: to secure
a freehold getaway from everywhere
repatriating yourself beyond the billboard poles,
wasting your days talking down dead air
shivering in a shapeless woolen jersey
between a service road & the thoroughfare –
you flash a smile to each passing car,
slumped at your instatent on a plastic chair
qasida #55
you’re left no choice but to watch the ice encroaching
on the moonlit river, constricting its flow
no rising current to urge you on towards home,
just the abstract dread of an undertow
discerned through a haze the moon’s light fails to pierce,
each shadow & glint ablur in its glow
with a shine on the woods that leaves your eyes estranged
to a dimming faith you no longer know
you gaze up & reclaim that cold forgotten world,
digging your heels into the snow
qasida #56
don’t take the clipboard down, nor the bone-cutting shears,
you can’t deliver this one through on the punchcard’s time
slip off two finger rings… a gold loop that adorns each ear…
bracelets from wrists… charms your sutures cannot bind
set chin & ankle, a cheek turned away, the sheet’s white veneer –
force a practiced scoff your choked back sobs deny
but these intrusive sounds can’t damp the bloodless cheer
pulsing its cyclic, whirred antiphony that grinds
out chiming tritone fugues to euphonise & square
you with a death you prep enough to eulogise
stamp its cause as prosaic, yes, but why stop there –
incise that last post-mortal wound & expose the crime
native convocationCONTINUE the subsidy. although most of their powers have been transformed, they retain some rights with respect to their options, their purchasing power. it is our monument we deliver to investors & stakeholders, claimants in this respect.
               a glass display case
               pulled tight on a steel-tipped frame
               spotlights old black robes
& every matter, except foreign visas, will be honoured by your invitation. IMPLEMENT optimal fee reforms. language, whose aboriginal powers continue to decline by 10-20% on the tongue, GLOSS OVER without too many distortions. BETRAY a residual influence on academic dress, exquisite, & very fully still there.
               rolls of starched papers
               clenching hands of convenience –
               sleeves caught in the act
David Jalajel is the author of Moon Ghazals (Beard of Bees Press, 2009), Cthulhu on Lesbos (Ahadada Books, 2011), a chapbook in Dan Waber’s This is Visual Poetry series (2013) and Rhyme & Refrain (University of the Western Cape, 2017). His work has appeared in a number of online and print journals, including Otoliths, Shampoo, experiential-experimental-literature, Recursive Angel, The New Post-Literate, Gulf Coast, Anti-, Lynx, Mizna, and Eclectica.
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