Raymond Farr
                                             “a”
Dead men structure intrigues
Heartless footless across limitless spans
Tales within tales of the world’s richest coffee bean
Then pilfer
Rivers’ mouths craven with isolates
What then? inquire the dead men
Quantities of process struggle with erasure
Stand up in a meadow
A map
A scale itinerant to looking up
A profit
A loss
An odd light
Looks stellar up in books of stars
                                             “map”
In order to preserve “the way”
The plainer legends distort themselves
As one in a dream arrives at a point
They come to Canal St. & pause
The signs are all here
& of a kind
Previously unremarkable
Stranded six of / marooned five of / abandoned four of
The language they speak
Cranks space out of mambo
The real is unbelievable
A kind of trip
“Quite lost,” I enjoin
Then point
Distorted by gestures I make at the world
Of what magnitude is our scale
Just a wad now
Of one person’s mind?
                                             “of”
Assertions disband ultimately
of truth
a ballad of
apertures
open at loose scruples
Of crumpled
half the distance
                              appears
short
of a binge
headed west along
I-85
cutting smoke
snaking trailing exhaust
clouds of
Sierra Street
Sierra Drive
Sierra Place
Manic words tripping
a phone call
                              in absence
of
laser maps
a clatter of
                              star fixes
paints without form
A Lincoln of
time-wash arroyos
cratered while streaked
a ballad of
                                             “the”
Cyber-Jane & Cyber-Claude
                              do not distinguish
“the” from “that”
                              Or else “the”—
a sodden differential
robs them of a state of elocution
en route to fucking
Exit gone past
Cyber-Jane lays bare her spider-mind—
a ghost of “the”
webbed in shadows’
pilgrim skein
Her soul a grade of six degrees
not mapped
convenes trajectory in real time
& startled by his bloodlust’s dancing carnivore
Cyber-Claude invents a mouse
A quantity of one & zero
carnal as his grid allows
                                             “wheel”
Vulva: 1548, from the Latin, vulva,
earlier volva “womb, female sexual
organ,” literally “wrapper,” from
volvere “to turn, twist, roll, revolve,”
also “turn over in the mind,”
                                                           as in:
Cassandra takes the little wheel
& domineers it
                              Weary of commotion
Born again dipsticks fray to sexless pilgrimage
Not her
                              The future is a rounder place
Perfect as a wheel
She sticks to it
Lighting candle after candle
Till all the eves are lit
& seeing frees her soul of ills
The beginning is what she suspects
The end is all about
The end is the beginning
The beginning the end
Of a cave
In a dream—
The well or wheel-house
Not pictured in her vision
Where birth-sounds emanate
Undefined
                                             “ruts”
Slattern demonology exposed
& cast away
Popovers / baked goods / sweets
Until stale
Protracted clutching
After scabbard out reaching
Naked tomes
In lovers’ gittyup & go hooves
Tantamount during multiples
Inclined during
Gaunt treacherous ruts of corpses
Splayed among peonies
Howl!
Bluster!
Wild falling!
Conjoined sacrifice amidst
Words’ lone path
Intercourse at hedgerows
Of unevenness
                                             “of”
Away…away from
Never obvious
Or in the cistern
Hidden from view
The beauty reclines
Of words spoofed
Tainting many temples
The cartographer of
“of” un-amused
Locks time in a box
A coffin of “of”
                                             “modern”
Just now
in a certain manner
the quest
for the origins
               deep into
          murky forests
            is profoundly
                  errant
A sign that culls
modern
& postmodern is
A dollop of June
at noon
of nonexistence
A gong of 12 seconds
mapped by the deaf
A ranging & sojourning
itemized from modo
to the measure
                                             “English”
Shaped like a fish hook
Elixir Joe & his urn
are the same article
Identical to await fate
in a word
No matter how
(but how could they know
this from the ground?)
Raymond Farr lives in Ocala, FL. His work appears in Otoliths, Cricket On Line Review, BlazeVox2k11, Counterexample Poetics, Letterbox, Ditch, The Argotist On Line, Cannot Exist, EOAGH, Moria, Out of Nothing, Clutching at Straws, Kill Author, Text Base, Xstream, Liebamour, Indefinite Space, Sugar Mule, Upstairs at Duroc, and/or, The MadHatter Review, Psychic Meatloaf, REM, Raft, & Apocryphal Text. He is the author of big strange wall, DRUNKER/holding ember, Variably Distorted Lad, all published by Blue &Yellow Dog Press. He has published one chap book, Two Hats Appear When Applauded, as part of the Dusie Kollective and two ebooks, Two Texts (Chalk Editions 2010) and chainge (Chalk Editions 2011). Raymond is the editor of Blue & Yellow Dog. For more info visit his blog http://mjonesrview.blogspot.com.
previous page     contents     next page
“a map of the wheel ruts of modern English”
                                             “a”
Dead men structure intrigues
Heartless footless across limitless spans
Tales within tales of the world’s richest coffee bean
Then pilfer
Rivers’ mouths craven with isolates
What then? inquire the dead men
Quantities of process struggle with erasure
Stand up in a meadow
A map
A scale itinerant to looking up
A profit
A loss
An odd light
Looks stellar up in books of stars
                                             “map”
In order to preserve “the way”
The plainer legends distort themselves
As one in a dream arrives at a point
They come to Canal St. & pause
The signs are all here
& of a kind
Previously unremarkable
Stranded six of / marooned five of / abandoned four of
The language they speak
Cranks space out of mambo
The real is unbelievable
A kind of trip
“Quite lost,” I enjoin
Then point
Distorted by gestures I make at the world
Of what magnitude is our scale
Just a wad now
Of one person’s mind?
                                             “of”
Assertions disband ultimately
of truth
a ballad of
apertures
open at loose scruples
Of crumpled
half the distance
                              appears
short
of a binge
headed west along
I-85
cutting smoke
snaking trailing exhaust
clouds of
Sierra Street
Sierra Drive
Sierra Place
Manic words tripping
a phone call
                              in absence
of
laser maps
a clatter of
                              star fixes
paints without form
A Lincoln of
time-wash arroyos
cratered while streaked
a ballad of
                                             “the”
Cyber-Jane & Cyber-Claude
                              do not distinguish
“the” from “that”
                              Or else “the”—
a sodden differential
robs them of a state of elocution
en route to fucking
Exit gone past
Cyber-Jane lays bare her spider-mind—
a ghost of “the”
webbed in shadows’
pilgrim skein
Her soul a grade of six degrees
not mapped
convenes trajectory in real time
& startled by his bloodlust’s dancing carnivore
Cyber-Claude invents a mouse
A quantity of one & zero
carnal as his grid allows
                                             “wheel”
Vulva: 1548, from the Latin, vulva,
earlier volva “womb, female sexual
organ,” literally “wrapper,” from
volvere “to turn, twist, roll, revolve,”
also “turn over in the mind,”
                                                           as in:
Cassandra takes the little wheel
& domineers it
                              Weary of commotion
Born again dipsticks fray to sexless pilgrimage
Not her
                              The future is a rounder place
Perfect as a wheel
She sticks to it
Lighting candle after candle
Till all the eves are lit
& seeing frees her soul of ills
The beginning is what she suspects
The end is all about
The end is the beginning
The beginning the end
Of a cave
In a dream—
The well or wheel-house
Not pictured in her vision
Where birth-sounds emanate
Undefined
                                             “ruts”
Slattern demonology exposed
& cast away
Popovers / baked goods / sweets
Until stale
Protracted clutching
After scabbard out reaching
Naked tomes
In lovers’ gittyup & go hooves
Tantamount during multiples
Inclined during
Gaunt treacherous ruts of corpses
Splayed among peonies
Howl!
Bluster!
Wild falling!
Conjoined sacrifice amidst
Words’ lone path
Intercourse at hedgerows
Of unevenness
                                             “of”
Away…away from
Never obvious
Or in the cistern
Hidden from view
The beauty reclines
Of words spoofed
Tainting many temples
The cartographer of
“of” un-amused
Locks time in a box
A coffin of “of”
                                             “modern”
Just now
in a certain manner
the quest
for the origins
               deep into
          murky forests
            is profoundly
                  errant
A sign that culls
modern
& postmodern is
A dollop of June
at noon
of nonexistence
A gong of 12 seconds
mapped by the deaf
A ranging & sojourning
itemized from modo
to the measure
                                             “English”
Shaped like a fish hook
Elixir Joe & his urn
are the same article
Identical to await fate
in a word
No matter how
(but how could they know
this from the ground?)
Raymond Farr lives in Ocala, FL. His work appears in Otoliths, Cricket On Line Review, BlazeVox2k11, Counterexample Poetics, Letterbox, Ditch, The Argotist On Line, Cannot Exist, EOAGH, Moria, Out of Nothing, Clutching at Straws, Kill Author, Text Base, Xstream, Liebamour, Indefinite Space, Sugar Mule, Upstairs at Duroc, and/or, The MadHatter Review, Psychic Meatloaf, REM, Raft, & Apocryphal Text. He is the author of big strange wall, DRUNKER/holding ember, Variably Distorted Lad, all published by Blue &Yellow Dog Press. He has published one chap book, Two Hats Appear When Applauded, as part of the Dusie Kollective and two ebooks, Two Texts (Chalk Editions 2010) and chainge (Chalk Editions 2011). Raymond is the editor of Blue & Yellow Dog. For more info visit his blog http://mjonesrview.blogspot.com.
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