AMY WINEHOUSE
Bees hoarse in ferment drowned
a towering hive torn down
dawn found the river of her panther hair
and the sweep of her neck along
it thrown
HEIDEGGER SILENTIO Who can say this stone- fold and its there- in, neither ready to nor present at nah ist ash, asche, aspen, open- ed JESUS FISH REDUX Spray painted red on buildings marked for post- Arab Spring cleaning, the letter Nun looks like a cyclops smiley face: have a terrifying day and please don’t let the door hit you, bye now. Nasara house tags morphing into hashtags of a social solidarity movement. Echoes of signs, crossing millennia. Perilous token traced in dirt, passed between two conscripts joined by ankle iron in dust and haze of a traveling Roman circus: Syrian Christian and converted Jew, one hundred seventeen years from when the Christ was hanged. In those days, faint little fish bones whispered a dangerous Name. Dorsal arc drawn by gnarled finger adjacent absent thumb, tremulous ventral by palsied hand – how long, this ancient line of suffering, silver fish on pickup bumpers, stuck there next to a shout: Migrants Get Out.
David A. Welch is a management consultant with degrees in Journalism and Studies in Literature. His poems have appeared in Dappled Things, E∙ratio, and Otoliths.
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