Phil Montenegro
Three Poems after Goya
The Third of May, 1808
No prayer or plea or pardon,
cough or cry or heavy breath.
No cold snap of the gun’s
hammer drawn back.
No call for fire or flood
of the fusillade loose
like a torrent of hornets.
Only the man with fearful eyes
wide, his arms raised in the poise
of a butterfly
who sees the implacable iron row
of bayonets outstretched
like the pins of an insect collector
to fix him where he kneels
facing a finality
that doesn't yield.
The Dog
Thrill in the blood
a time to chase and scavenge
to compel the shadows
from their hitch of forms
cock noses to the wind
lead whiskers to the street
every piss-lacquered curb
and fly-gemmed swill
that floods the night
with its riotous smell
draws us further deeper
into the alleys where
we unbecome and dress
in the slavered rags
of our primal others
who thundered the flesh
with a mutiny of instinct
and raw need needing
nothing but the cadence
of their hot breath to rile
them to nowness just as we
yip and keen and bay
for the night this night
as if no night else could be.
Don Manuel Osorio Manrique de Zuñiga
Everything is about to move.
A boy in red, so still and fixed,
not even an almost-breath
in his chest betrays
the painting.
A catenary smile of string,
slack between his fingers,
hangs in one calligraphic swoop
to the lank leg of a magpie
whose soot-black beak
carries the card of the painter.
And in the corner a cage
bellyful of finches mid-flutter
deprived of motion
deverbed of action
birds embalmed by the air
that once freed them.
But you, Goya,
are neither in the boy,
the birds, nor the card
between the bird’s beak
that keeps your name.
You peek through the cats,
gleam
in the sleek aperture of their eyes
as through a peephole
in this portrait
at the shadows amassing
themselves in the distance.
Phil Montenegro is a poet and teacher. His poetry has appeared in Yale School of Divinity's LETTERS Journal, Nixes Mate Review, Caliban, The Tower Journal, Good Fat, Poem Town 2022/23, Poem City 2023, Ayris Magazine, and Tidepools Magazine for which his poem “Eleven A.M.” won the first prize in poetry for their 50th edition.
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