Stephen Bett Three Poems from Song Bu®st_______________The Great Contender The man who shot Liberty Valence clearly didn’t care mucho much for Valencia (nor likely cross-town rivals VillaRReal) That derby hall a’ miRRors… a’gin & redux When Val rode to town the womenfolk would hide (Rreal men & transfolk, they’d abide onside) Give me hibbity jibbity or give me the point of a gun the only law that [libs] understand — lib·bard·y for not from dems wackos Rrose Sélavy likely-wise cried snide in zir Yellow Submarine (it’s true, #LookItUp!) Putt it right on the platter The man who flipped a birdie on yr Lib Pal — poor Burt Bacharach, dead at 94 just this week — He was the [gravest] man of all he was the Great Contender Just laughing and gay like a clown in my town
Gene Pitney, “The Man Who Shot Liberty Valence” & “The Great Pretender” (the latter also covered by The Platters, & both songs written by Burt Bacharach); properly speaking, Valencia & Villarreal Club Futbol are cross-region derby rivals (the latter’s motto: The Yellow Submarine”); & fondly recalling Grade 4 club Membership Card for “The-Look-It-Up-Club (motto: “We Don’t Just Guess, We Look It Up!”)
_______________Inhabiting the Sound Gaps I said see, C.C. Rider Oh, see what you have done You slipped ma’ disc, sailor grrl Chopper Couture din’t stand a chance Well now see, see see rider … SEE what you have done thIN diff: dis ultra-tiny-tinny fit you DISappeared, gap in the hall a’ … holla! I said see, see see rider (see, see rider) see what you done done Doubly (& parenthetically) minced coma zone-out in my comma Très infrathin of infra-thin & infra thin the ol’ miRRor image RE-flect E-ffect overload So whose fleet feet turns the page tha’s extreme tenuity (ThieRRy Davila) published Dec 17, 2010, at 11:22 am updated Dec 17, 2010, at 11:22 am Same Diff times t’ree — w/in da minute one & one & two & two Inhabit every in·ter·val (a hey hey) C.—gap—C. at sea, oh see here sailor grrl You are that dancin’ sound Slippered outta dat vis·U·al hegemony some différance, n’est pas? The hear of her·e·sy what you just Undone Yas hear don’t see it Surfer·Grrl
Mitch Ryder & the Detroit Wheels’ version of “See See Rider” (aka “C.C. Rider”); C.C., as in Chopper Couture (chopper apparel, huh?); several commentators on Marcel Duchamp’s infrathin or inframince concept, easily googled—among them: quoting Thierry Davila, curator of the Museum of Modern & Contemporary Art (Geneva); David Zerbib’s review of Davila’s book Infrathin: Bref histoire de l’imperceptible, de Marcel Duchamp…(published & updated within the minute, note); Paul Matisse (step-son of Duchamp, & grandson of Henry Matisse, collected & published Duchamp’s notes under the title Inframince: “inframince [is] the very lastness of things…[the] frail and final minimum before reality disappears”
_______________Insta Surfing Li·ddle surfer, li·ddle one Made my heart come all Undone (Sailor’s gurl, heart’s a twURL) Teeny-tiny itsy dot fitter-upper reeled in, bought you by Rreal men (In my Woody them’s would take you…) Diss ol’ Miss O’ Ginny RE·verse flipped chic-o-layin’ cutie pie voice print all over our gooey screens Do you wuv me, do you wi’dul star-twick one? (jes’ me & mah Woody) ’N don’ go DISappearing in the gap there’s have all Rreal womyn gone Whoa, oh, mercy mercy me things aint what they used to be… On stage now #FiveSeconds Get·It & Forget·It please identi·size Rupi Kaur for Po·it Laur·E·ate (made 30 mil las’ year!) Infra-Mincing our way to you, dear insta·read’R … Lie-la-lie Lie-la-lie-lie-lie-lie-lie, lie-lie-lie-lie-lie Lie-la-lie-lie-lie-lie-lie Lie-la-lie Lie-la-lie-lie-lie-lie-lie, lie-lie-lie-lie-lie
Beach Boys, “Surfer Girl”; Paul Simon, “The Boxer”; Marvin Gaye, “Mercy Mercy Me”; as good an estimation of these ‘identity excl’ Instagram poets as I can see (& time-honoured too): “‘stop deceiving the uneducated crowd / with empty sweetness’ (Metamorphoses 5.308-9) / aesthetically superficial / ethically dishonest” — Joe Safdie, Scholarship, p. 44
Stephen Bett is a widely and internationally published Canadian poet with 24 books in print. His personal papers are archived in the “Contemporary Literature Collection” at Simon Fraser University. His new book, Broken Glosa: an alphabet book of post-avant glosa, has recently been published by Chax Press. His website is StephenBett.com
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